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ARTICLE: ALBUM REVIEW

John Petrucelli: Presence

Read "Presence" reviewed by Dustin Mallory

The sophomore effort from saxophonist John Petrucelli is a fresh and timely release of original compositions that were recorded in 2017 at the New Hazlett Theatre in Pittsburgh. The forthcoming album, titled Presence, pairs a jazz quintet with a string quartet as they perform John's majestic ten-movement suite. The album also features a guest appearance from ...

ARTICLE: RACE AND JAZZ

Wynton Marsalis and Confederate Monuments: How a Jazz Musician Started a Political Movement

Read "Wynton Marsalis and Confederate Monuments: How a Jazz Musician Started a Political Movement" reviewed by Dustin Mallory

In the wake of the events that took place in Charlottesville, VA on August 11-12, the nation has been gripped by horrific violence and tragedy. Our screens have been filled with images of white nationalists, neo-Nazis, and the counter-protestors who clashed with them. The Unite the Right rally may have ended in chaos, but it began ...

ARTICLE: PROFILE

Rolling in Rhythm: Philly Joe Jones and Charles Wilcoxon

Read "Rolling in Rhythm: Philly Joe Jones and Charles Wilcoxon" reviewed by Dustin Mallory

Drummer “Philly" Joe Jones is known as one of the most recorded drummers in jazz history, appearing on more than 200 albums. His legacy as a studio drummer appears on seminal classics like John Coltrane's Blue Train, Thelonious Monk's Blues at the Five Spot, Miles Davis's Milestones, and Bud Powell's Time Waits. Beside these recordings, Jones ...

ARTICLE: PROFILE

The Early Years of Sonny Stitt in Saginaw, Michigan

Read "The Early Years of Sonny Stitt in Saginaw, Michigan" reviewed by Dustin Mallory

As one of most recorded saxophonists of his generation, Sonny Stitt made more than 100 albums under his own name. He also performed as a sideman with the likes of Miles Davis, Dizzy Gillespie, and Art Blakey. Despite the breadth of recorded work he left behind, Sonny Stitt's upbringing in Saginaw, Michigan is less well-documented. The ...


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