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Cecil Taylor: Mixed To Unit Structures Revisited
by Mark Corroto
A listener could make it their life's work to absorb and appreciate the music the music of Cecil Taylor. One could possibly approach it as a scholar and musician through notation and transcription—not the recommended approach. Such a task would be similar to the process of systematizing a DNA sequence. Taylor's music, and pardon this analogy, ...
Logan Richardson: To Boldly Go Where No Jazz Has Gone Before
by Chris May
In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift, ...
Alan Pasqua: Day Dream
by Jim Worsley
When you hear that Alan Pasqua has put out a new record, the first thought--other than perhaps happiness--is what genre are we talking about? Pasqua has worn many hats in his career. To his credit, he looks quite fashionable in any of them. Maybe you think of fusion Pasqua, who mixed it up with the genre's ...
That Slow Boat to China: How American Jazz Steamed Into Asia
by Arthur R George
A kind of jazz was already waiting in Asia when American players arrived in the 1920s, close to a hundred years ago. However, it was imitative and incomplete, lacked authenticity and live performers from the U.S. Those ingredients became imported by musicians who had played with the likes of Joseph “King" Oliver, Louis Armstrong, Earl Hines, ...
Chris Barber, Giant of British Jazz, Dies at Age 90
Born in 1930, Chris Barber was one of the leading figures in European jazz. Together with Kenny Ball and Acker Bilk, he was one of the “Three B’s” who defined traditional jazz in Britain and spearheaded the “Trad” revival of the late 1950s and early 1960s. His interest in jazz began while he was evacuated from ...
Aki Takase: Auge
by John Sharpe
While it might be Aki Takase's name which grabs the attention thanks to her illustrious track record, the trio on Auge represents a true co-operative, as the Berlin-based Japanese pianist joins forces with Swiss bassist Christian Weber and German drummer Michael Griener in a perfectly balanced triumvirate. Takase draws on an ouevre which ...
Professor Cunningham and His Old School: The Lockdown Blues
by Jack Bowers
Given the uncommon position in which the world found itself owing to the global coronavirus pandemic, it was only a matter of time before “socially distanced" albums such as this one, recorded by Australian-born “Professor" Adrian Cunningham's septet “in bedrooms around the world," in April 2020, were bound to emerge. More specifically, in bedrooms in NY ...
Pete Ellman: For Pete's Ache
by Nicholas F. Mondello
Long a fixture throughout Chicagoland, the Ellman name is synonymous with all things musical. No “ache" at all, this album is a fun big-band romp. There is some outstanding ensemble and solo work and the various terrific arrangements bring the best out of a superb, engaged ensemble. The opener, “High Speed Pursuit," is ...
Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 3: The GhostsIn a recent essay in Commentary, Terry Teachout, arts and culture critic for the Wall Street Journal, makes an argument for the date on which the jazz era officially ended and the rock/pop era began--May 9, ...
WHO Trio: Strell - The Music of Billy Strayhorn & Duke Ellington
by Alberto Bazzurro
Nel 2018 il Who Trio ha festeggiato vent'anni di attività, varando per l'occasione il progetto Strell, dedicato alla rilettura del repertorio di Billy Strayhorn e Duke Ellington, operazione certo non nuova--tutt'altro--e per la quale la prospettiva di rilettura, l'angolo visuale, diventa di conseguenza basilare. In questo album, inciso quasi per intero in studio a ...
