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Poncho Sanchez: Trane's Delight
by La-Faithia White
After a seven-year hiatus Poncho Sanchez pushes through with a passion project and a meaningful tribute to one of his mentors, saxophonist John Coltrane, on Trane's Delight. The feeling of jazz comes together beautifully in this tribute to Coltrane as well as in the remake of the Duke Ellington classic “The Feeling Of Jazz."
William Parker - Matthew Shipp: Re-Union
by Karl Ackermann
Matthew Shipp and William Parker are in a space which they arrived at more or less together. The pair first recorded together with the quartet on David S. Ware's Great Bliss, Vol. 1 (Silkheart, 1991). Not long afterwards, in 1994, they released Zo, the first of their duo projects, on the now-defunct Rise label; it was ...
Take Five with Thomas Manuel of The Jazz Loft
by AAJ Staff
Meet Thomas Manuel Jazz historian, music educator and cornet player Dr. Thomas Manuel holds the endowed Artist in Residence chair within the Jazz department at Stony Brook University. In addition to this he serves as a trustee to the Frank Melville Memorial Foundation, is a member of the Huntington Arts Council Decentralization Advisory Committee, and is ...
William Parker: Mayan Space Station & Painters Winter
by Eric Gudas
"Ungentrified funk": that's how William Parker characterized the music of his Mayan Space Station ensemble after a Zoom-transmitted performance—plus Q&A session— in the summer of 2020. Like Duke Ellington and Cecil Taylor—the latter whose group he played with in the 1980s—the protean Parker has become a genre unto himself. Parker's brand of funk has deep musical ...
The New York Jazz Museum: 1972-1977
by Howard E. Fischer
As a lawyer with a new office in 1967, I was sitting there trying to figure out how I was going to get clients. At that time, lawyers were not permitted to advertise. How different from today! I started reading the Village Voice newspaper and saw a two-line ad on the back ...
Duke Ellington: Berlin 1959
After my post last week on 16 jazz geniuses, I predictably received a flood of emails asking why Duke Ellington was missing from my list. As I explained, while Duke was exceptional, his piano didn't change the direction of jazz nor did a school emerge that emulated his approach. But the emails did give me pause. ...
Richard Brent Turner on Islam, Jazz and Black Liberation
by Lawrence Peryer
Richard Brent Turner is Professor in the Department of Religious Studies and the African American Studies Program at the University of Iowa. Since joining the faculty in 2001, Professor Turner has authored several books, including Jazz Religion, The Second Line, and Black New Orleans, New Edition (Indiana University Press, 2016), and Islam in the African-American Experience, ...
Charles Mingus: An Essential Top Ten Albums
by Chris May
Charles Mingus was rarely a happy man and yet his music possessed a power to uplift listeners unlike that of most other composer / bandleaders before or after him. It still has that power in 2021, four decades after his passing and on the eve of his hundredth anniversary in 2022. In his personal life, too, ...
Zakir Hussain: Making Music, Part 1-2
by Ian Patterson
"Everybody wants to play with Zakir. He's amazing..." The words were spoken by Herbie Hancock, one of many musicians who paid tribute to the great Indian tabla player and composer Zakir Hussain on the occasion of his Lifetime Achievement Award from the San Francisco Jazz Centre in 2017. In a short film made for ...
Homage and Acknowledgment: A Conversation with Wallace Roney
by Stanley Péan
From the 1995-2003 archive: This article first appeared at All About Jazz in September 2001. The following conversation took place in Wallace Roney's room at Wyndham Hotel in downtown Montreal on Sunday, July 8th 2001, the day after he performed Miles and Miles: A Musical Journey, his tribute commemorating both the seventy-fifth anniversary of ...
