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Why Jazz?
by Dom Minasi
This is my first All About Jazz article since 2015. So much has happened to the world around us. I've been thinking a lot lately about my career choice and why I chose jazz and I wanted to hear why some of the best chose to devote themselves to a career in jazz. Here are their ...
Montreal Jazz Trio: Montreal Jazz Trio
by Dan McClenaghan
We had the Modern Jazz Quartet, sometimes tagged MJQ, from 1952 until--after a stop and start or two--the early 90's. They were a class act, playing in formal attire, playing classically-influenced jazz with a dollop (sometimes more than a dollop) of the blues. Restraint and laid back complexity was the name of the game.
Chick Corea Akoustic Band: Live!
by Jim Worsley
A posthumous review of a live record sounds like an oxymoron. Particularly when it seems that Chick Corea was with us only yesterday. The sound of this record is lively, bright, and imbued with a richness of colors. The trio of Corea, bassist John Patitucci, and drummer Dave Weckl can take your breath away in an ...
Umlaut Big band: Mary's Ideas
by Mark Corroto
In the liner notes of Embraced (Pablo Live, 1978), Mary Lou Williams defends the late music of John Coltrane thus ..."the healing power comes from the deep feeling that is in jazz--the feeling of the Blues which is characteristic of all good jazz no matter what form it takes. Even John Coltrane's music was never without ...
Staci Griesbach: My George Jones Songbook
by William H. Snyder
Some might question why write an All About Jazz review of an album featuring songs made popular by George Jones? Duke Ellington had the answer when he said, “There are simply two kinds of music, good music and the other kind ... the only yardstick by which the result should be judged is simply that of ...
Sheila Jordan: Comes Love: Lost Session 1960
by Pierre Giroux
Sheila Jordan falls into that unique category of vocalist whose voice, once heard, is unlikely to be mistaken for anyone else. Now at ninety-two, she continues to perform regularly, if not frequently, most recently in August 2021 at Jazz In The Park in Peekskill New York. This release entitled Comes Love: Lost Session 1960 was recorded ...
Victor Gould: In Our Time
by Mike Jurkovic
Over the course of his first endearing works, 2016's stunning, NPR Debut Of The Year Clockwork (New Fresh Sounds), Earthlings (Criss Cross, 2018) and the lush Thoughts Become Things (Criss Cross, 2019), pianist/composer Victor Gould has exhibited a relaxed romanticism, an unerring lilt to his music. A warm empathy that draws you into the joyful, reflective ...
Jon Hendricks: An Essential Top Ten Albums
by Peter Jones
Considering he reached the ripe old age of 37 before recording an album, Jon Hendricks' jazz legacy is remarkable. Although a singer, in his head he was more of an instrumentalist. When he improvised, he would imitate the tenor saxophone, the flute, the trombone, or the double-bass. His professional singing career lasted from 1932, when he ...
Bobby West: 30 years performing abroad, but Leimert Park still home
by Doug Hall
Bobby West, jazz pianist, international performer, and composer, has split his professional career between Los Angeles, California and since 1993, living and performing abroad. He has successfully managed a transition to have residence and perform in Asia, the Middle East and Europe over the last 30 years. He is currently residing in Taiwan and playing in ...
Francesco Amenta: Midtown Walk
by Edward Blanco
Italian-born, New York-based tenor saxophonist Francesco Amenta presents his American debut recording Midtown Walk, his second project as leader, offering seven original compositions and a cover tune ("Come Sunday") from Duke Ellington whose music he admires. Now an international recording artist, Amenta paid his dues performing in Italy and attended the Royal Conservatory in The Hague, ...
