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Latin It All Hang Out
by Patrick Burnette
We start off season ten with neither a bang nor a whimper, but rather the sound of exotic auxiliary percussion and the screams of excitable brass. It's a show devoted to “Latin" music in its many guises, both smooth and bumptious, with looks at an early innovator in the jazz field, a couple of main stream ...
Elastic Bricks: Oùat
by Mark Corroto
The Berlin-based piano trio Oùat releases their first album with the seemingly paradoxical title Elastic Bricks. If you listen closely, there is nothing incongruent nor oxymoronic about the music. The studio recording from 2021 by pianist Simon Sieger, bassist Joel Grip, and drummer Michael Griener is an all acoustic instrumental affair with a twist. The vinyl ...
Samo Salamon: un mondo di variegate esplorazioni
by Angelo Leonardi
In neanche vent'anni d'attività professionale, il chitarrista sloveno ha maturato un ampio e diversificato ventaglio di esperienze, che si riflettono in una nutrita discografia. Ha pubblicato 35 album con etichette quali la Clean Feed, Fresh Sound, Not Two, Spasch, Steeplechase [clicca qui per leggere la recensione dei suoi ultimi 12 album] in organici comprendenti molti protagonisti ...
Sun Ra: Ten Great AfroFuturist Albums
by Chris May
With one hundred and twenty five albums to his name, not including reissues, any attempt to compile a Sun Ra Top Ten is a pretty ludicrous endeavour. There is simply too much great music from which to choose and way too much to put to one side. So the honour roll which follows should be regarded ...
Bill Charlap: Intellect And Emotion
by R.J. DeLuke
"I don't ever remember a time when I didn't play the piano," reflects pianist Bill Charlap, who has become one of the giants of his generation on his instrument of choice, as evidenced by the array of other great players with whom he has performed. With his deft and agile approach he can summon a fiery ...
Joe Henderson, Bill Evans, Jim Hall: Buried Treasure from Germany's MPS Label
by Chris May
Between its founding in 1968 and sale in 1983, the original incarnation of the recently revived German label MPS—the initials stand for Musik Produktion Schwarzwald (Music Production Black Forest)—notched up around five hundred releases. Some were recorded in the US by American musicians, many more were recorded in Europe and featured bands made up of European ...
Michael Bisio/Matthew Shipp: The Flow of Everything
by Karl Ackermann
In his definition of jazz, Wayne Shorter says “It's not...required to sound like jazz." It's a viewpoint to keep in mind when considering over-analysis of the bold activities of collaborators Michael Bisio and Matthew Shipp. Throughout their frequent partnerships, the pair have raised the bar on improvisation to a level that suggests an exceptional symbiotic form ...
Solos & Duets: Dave Rimpus, Sylvie Courvoisier & Mary Halvorson, Mingus and more
by David Brown
In a duo performance, musicians become instrumental equals. The interchange of ideas and flow of music is like a conversation. And for the artist who performs solo, there is no place to hide. Today, we present a smorgasbord of solo and duo performances from Coleman Hawkins to Colin Stetson, Sylvie Courvoisier & Mary Halvorson to Duke ...
Bloom Funkhouser Duo: Exuberant Ellingtonia: Flute & Piano Sessions
by Troy Dostert
Although the enormous quantity of Duke Ellington tributes recorded over the years is probably far too large to count, those involving flute and piano duos are a much rarer find. So it is a welcome occurrence that flautist Peter H. Bloom and pianist John Funkhouser, two prominent veterans of the Boston jazz scene, have recorded just ...
Mark Lockheart: Dreamers
by Chris May
As a founder member of Loose Tubes and Polar Bear, saxophonist Mark Lockheart was at the forefront of two waves of reinvigoration of British jazz, one in the 1980s, the other in the 2000s. By age and experience, in 2022 he qualifies as close to an elder statesman of the music. But somehow one still thinks ...
