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Take Five With Carlos Redman
by AAJ Staff
Meet Carlos Redman: A Detroit native, Carlos Redman is one of a new breed of modern experimental trumpeters of the current generation. Blending a sultry combination of hip-hop, R&B, rock, and classical in jazz genres, the young horn player continues to defy boundaries as he is often drawn in comparison to the great Donald ...
Wynton Marsalis with Jazz at Lincoln Center Orchestra at the Kimmel Center
by Victor L. Schermer
Jazz at Lincoln Center OrchestraWynton Marsalis, Music DirectorThe Kimmel Center for the Performing ArtsMarch 20, 2009 Wynton Marsalis and the Lincoln Center Jazz Orchestra made a return visit to the Kimmel Center with a full-house crowd on hand and an early Spring March wind in the air. Marsalis quickly indicated the ...
Eric Reed: Sacred Jazz
by Eric Reed
Generally, the idea of “sacred jazz" either brings to mind Duke Ellington's three sacred concerts or causes confusion in the minds of those who are not cognizant of what is “sacred" or “jazz." Is it John Coltrane's A Love Supreme, Mary Lou Williams' Black Christ of the Andes or Ahmad Jamal's After Fajr? In all these ...
Caltech Jazz Bands: The Variety Pack
by Edward Blanco
The California Institute of Technology's Caltech Jazz Bands present their third album of largely big band music, offering selected charts by musicians and composers identified with the music from one end of the jazz spectrum to the other. The Variety Pack lives up to its title, with fourteen songs touching upon a variety of jazz styles ...
Jazz It Up! Episode 4 Features Phil Woods, Stanley Jordan, Oscar Peterson and More
New York, NY -- The fourth episode of Season 2 of Jazz it Up! features alto sax legend Phil Woods in performance with the William Paterson Jazz Orchestra (conducted by David Dempsey), as well as a powerful trio led by the innovative guitarist Stanley Jordan, who plays piano and guitar simultaneously on a song. As with ...
Three of a Perfect Pair
by Chris M. Slawecki
For the past decade or thereabouts, I've tried to organize “From the Inside Out" around one theme, to address in one column the different ways that different musicians perform on the same instrument, or in the same style or genre. But if there's one lesson that life seems intent on teaching, it's that music (like life) ...
Abdullah Ibrahim: Senzo
by Raul d'Gama Rose
Any record by Abdullah Ibrahim is always an event to look forward to, often with bated breath as he always turns in something quite breathtaking. Ibrahim has done this with Good News from Africa (Enja, 1973), Water from an Ancient Well (Ekapa/Tiptoe, 1985), the exquisite orchestral work African Suite (Ekapa/Tiptoe, 1998), and several others. The thrilling ...
Russel Blake: Transcending Expectations
by Mikayla Gilbreath
Nearly everyone would agree that music is one of the most significant and enduring art forms ever created by mankind, though most people still view it primarily as entertainment. An astute few seem capable of looking beyond music's obvious entertainment value, and among these is bassist Russel Blake. He views music as both a tool for ...
Art Farmer: Brass Shout / The Aztec Suite
by Chris M. Slawecki
Brass Shout / The Aztec Suite combines two Art Farmer releases: Brass Shout, arranged by his longtime associate, Benny Golson, and The Aztec Suite, including its famous panoramic title track, arranged by Chico O'Farrill. Combining these two titles, both from 1959, creates an expansive survey of jazz, Latin jazz, and pop played as jazz. ...
Odean Pope: A Singular Voice in the Choir
by Elliott Simon
Grounded in the Baptist spirituals of his youth followed by a musical upbringing in Philadelphia with the likes of John Coltrane and organist Jimmy Smith as mentors, tenor saxophonist Odean Pope is the bridge between hard bop and free. His contributions to jazz are of major historical significance and through his over ...
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