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The Tokyo Quartet: Beethoven: The "Late" Quartets
by AAJ Staff
Just as any real and informed music fan is familiar with the Duke Ellington “Blanton Webster Band," Miles Davis' Kind Of Blue (Columbia, 1959), and Louis Armstrong's Hot Fives and Sevens recordings, so should they also be immersed in Beethoven's famous late string quartets. There are pre-echoes of twentieth century popular music harmony here, but additionally, ...
Duke Ellington: Carnegie Hall Concerts
by AAJ Italy Staff
Non è certo facile condensare in una recensione la mole di musica contenuta in questo cofanetto: otto CD che riuniscono i quattro concerti presentati da Duke Ellington nella leggendaria Carnegie Hall di New York. Si tratta di una delle fasi più creative del Maestro, qui in grado di mantenere quanto aveva sviluppato per accompagnare gli show ...
Kevin Eubanks: Refocusing and Looking Forward
by Matthew Warnock
For millions of people across the U.S. and abroad, Kevin Eubanks will always be associated with The Tonight Show band, after his 18 years alongside Jay Leno. But for those who have followed Eubanks' career off the set, where he has been a highly prolific composer and recording artist, it's his work as a guitarist that ...
Earshot Jazz Festival 2010, Part 2
by Nathan Bluford
Earshot FestivalSeattle, WAOctober 31-November 7, 2010 Part 1 | Part 2 Mavis StaplesTown Hall/Earshot Jazz FestivalSeattle, WASunday, October 31, 2010 Did anyone bring a louder, more powerful voice to this year's festival than Mavis Staples? As ...
Take Five With Steve Sacks
by AAJ Staff
Meet Steve Sacks: A jazz saxophonist/flutist and Harvard-trained musicologist, Steve, has for 35 years, focused his talents on the richness and diversity of Brazilian and Latin music. An internationalist fluent in five languages, and with twenty years experience on the New York music scene, Steve has performed, recorded and/or written for a wide variety ...
Hatology's Big Band Big Bang
by Mark Corroto
Creative large ensembles are precious commodities. In the modern era, maintaining both features (innovation and size) is a marvel. There are large repertory ensembles playing those “oldies" that are, maybe, goodies, and smaller, more economically efficient bands that have always been the flag bearers for originality. But to witness a large ensemble, big band or arkestra ...
Jay Phelps: Swing Is The New Avant-Garde
by Bruce Lindsay
At the age of 28, trumpeter Jay Phelps already has a broad range of musical experiences under his belt, including co-founding the award-winning jazz group Empirical. Releasing his debut album as a leader, Jay Walkin' (Specific Records, 2010), seems like a natural next step. But Phelps is clearly not a man to be rushed. The album ...
Josh Roseman: Reimagining the Constellations
by R.J. DeLuke
Josh Roseman is a busy man. Extremely busy. He's also an extremely bright one, which is good because otherwise one might pause to consider whether, with all those activities, he is wearing himself too thin. Turns out he is spreading wide, but nothing about him or his many pursuits is thin. Especially not his creativity.
Clifton Anderson: Leading The Way
by Mikayla Gilbreath
Not since the heyday of Glenn Miller and Tommy Dorsey has the trombone enjoyed widespread acceptance as a band leader's instrument. With only a few exceptions, the last half century has seen trombonists slide from favor as leaders and become more commonly viewed as sidemen. Even genuinely notable artists like J.J. Johnson, Frank Rosolino, ...
Andy Farber and his Orchestra: This Could Be the Start of Something Big
by Edward Blanco
Composer Andy Farber writes musical scores for television commercials and movies, but This Could Be The Start of Something Big is Farber's big band debut, showcasing his talents as a multi-reed musician and bandleader. Recorded in late 2009, after a two-year stint playing every Sunday evenings at New York's famed Birdland, the album features an eighteen-piece ...
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