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Eric Alexander: Don't Follow the Crowd
by Greg Simmons
The title of Eric Alexander's Don't Follow the Crowd is somewhat ironic, as it is one in a string of recordings, on the HighNote label, that have all been cast from the same mold. Alexander can be counted on to deliver well-crafted, straight-ahead jazz albums that may not break any new musical ground, but are beautifully ...
Jazzlab: Octo Portraits
by Raul d'Gama Rose
There is much more to Jazzlab's molten Octo Portraits than a sense that the ensemble is so finely attuned to each other as to create works of timbral excellence and nuanced textures. The outstanding voices of the individual instrumentalists are not hidden in this bubbling liquefaction, beaming radiantly through the crack in the door each time ...
Take Five With Sal La Rocca
by AAJ Staff
Meet Sal La Rocca: Sal La Rocca discovered jazz in the early '80s, and switched to double-bass, which he intensively explored on his own, taking Paul Chambers as a model. Instrument(s): Doubl-bass, electric bass, guitar. Teachers and/or influences? Paul Chambers, Sam Jones, Charles Mingus, Scott LaFaro. ...
Glorious Days and Nights: A Jazz Memoir By Herb Snitzer
Glorious Days and Nights: A Jazz Memoir By Herb Snitzer University Press of Mississippi ISBN 978-1-60473-844-5 Hardback, $35 Herb Snitzer tells the story behind iconic photographs of jazz greats Nina Simone, Miles Davis, Thelonius Monk, Dizzy Gillespie, and more “For any jazz lover who has ever wished to ...
Vijay Iyer Trio: Washington, DC, April 30, 2011
by Franz A. Matzner
Vijay Iyer TrioSixth & I Historic SynagogueWashington, DCApril 30, 2011 Sponsored by the Washington Performing Arts Society, pianist Vijay Iyer's concert placed his innovative trio in the sumptuous setting of Washington, DC's Sixth & I Historic Synagogue. The domed ceilings and intricate décor provided an appropriate backdrop ...
Chick Corea: Creative Giant
by Esther Berlanga-Ryan
Virtuosity is a beautiful thing. One would somehow like to believe that anybody can learn how to play any given instrument with delicate, enchanting energy; but truth be told, some are simply born with a gift that most can only dream of. The ability to amaze others through music, enriching the hearts and widening the creative ...
Wynton Marsalis: Cambridge, MA, April 28, 2011
by Andrew J. Sammut
Wynton MarsalisHarvard Sanders TheatreCambridge, MA April 28, 2011 A capacity crowd filled Harvard University's Sanders Theatre for “Music as Metaphor," featuring trumpeter, composer and Artistic Director for Jazz at Lincoln Center Wynton Marsalis. Thursday night's event launched a two-year series of programs by Marsalis at Harvard entitled “Hidden in Plain ...
Omar Sosa: Bringing The World To The World
by AAJ Staff
Pianist/composer Omar Sosa was born in Cuba in the first decade of Fidel Castro's rule over the island, and grew up listening to forbidden American jazz with his music school friends in secret, the radio discretely turned low, though eventually the rules changed and the music was broadcast in Cuba, too. After Cuba and a short ...
Alec Spiegelman / Lefteris Kordis / Thor Thorvaldsson: Bebop Trio
by Mark Corroto
The theme of “walk, don't run" occurs throughout the entirety of Bebop Trio, a suite of improvisations on the sometimes pell-mell music of Herbie Nichols, Lennie Tristano, Elmo Hope, Bud Powell, George Shearing and Duke Ellington. Played by three accommodating and adaptive musicians, the familiar and frenetic becomes casual and conversant. Where Powell's “Celia" ...
Terell Stafford: This Side of Strayhorn
by Dan McClenaghan
Some music just stands out from the crowd, and certainly Billy Strayhorn's tunes do exactly that. What would the great composer/bandleader Duke Ellington have been without his collaborator? He still certainly would have been considered one of the America's greatest artists, but it's hard to imagine an Ellington “greatest hits" offering--if one could be achieved, considering ...
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