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BoB: a Palindrome
by Chris M. Slawecki
The roll call of great bass players from Detroit includes Ron Carter, Paul Chambers and Doug Watkins. Robert Hurst, another Motor City musician, has for the past several years made a compelling case for his name on that list.Hurst picked up the bass at age 14 and was soon performing with Detroit trumpeter Marcus ...
The Scottish National Jazz Orchestra: In the Spirit of Duke
by Dan McClenaghan
Another tribute to bandleader/composer/pianist Duke Ellington? Is this necessary? Pulling from the archive a few recent nods to one of America's musical icons reveals 1997's elegant Count Plays Duke (Mama Records), by the Count Basie Orchestra; Don Sebesky's unabashedly gorgeous Joyful Noise (RCA Victor, 1999); and pianist Ted Howe's excellent trio affair, Ellington (Summit Records, 2005). ...
Frank Wess: Magic 101
by Jack Bowers
The “magic" here lies not only in the radiant music created by this stellar quartet of world-class musicians but also in the fact that its leader, Frank Wess, was a youthful eighty-nine years old when this splendid album was recorded in June 2011. Wess was once a star soloist (on tenor sax and flute) with the ...
Oscar Brown Jr.: We're Live
by Nicholas F. Mondello
Today's musicians--and anyone with an interest in things jazz and the pre-Hip-Hop/Rap African-American musical and cultural experience--might want to examine the life, times, music and impact of Oscar Brown, Jr. Brown distinguished himself brilliantly in multiple worlds--musical, literary, political, theatrical and television. And he did it all, weaving a passion for life, America's art form and ...
Pop-Culture Blues
by Jack Bowers
The blues, as it turns out, has many shades; an enduring art form that has been an integral part of the language of jazz since its beginning (if not before). Some aspects of the blues are readily perceived, others not so much. “The common thread," Michael Treni writes in his astute liner notes to Pop-Culture Blues, ...
Eddie Daniels & Roger Kellaway: Duke at the Roadhouse: Live in Santa Fe
by Jack Bowers
For a powerful adrenaline rush, it's hard to beat a full house (sixteen or seventeen single-minded musicians wailing in unison and swinging like there's no tomorrow), although there's a lot to be said for a pair of aces, too. That's the hand that's dealt on Duke at the Roadhouse: Live in Santa Fe, the aces in ...
Fusion Groovin’
by Chris M. Slawecki
Analog Players Society Hurricane Season in Brooklyn Studio Brooklyn 2012 Hurricane Season in Brooklyn marks the debut of the Analog Players Society (APS), an extension of the lifelong pursuit of the groove by the percussionist, engineer and producer known as Amon, who first discovered Turkish, West African and Middle Eastern music ...
Barnicle Bill Trio: No Black Tie
by Ian Patterson
Barnicle Bill Trio dates to 2009, when drummer John Engels, bassist Mark Haanstra and alto saxophonist Miguel Martinez moved beyond jam sessions to the recording studio. BBT's eponymous debut (Self Produced, 2010) served up straight ahead, old-school jazz standards, with singer-songwriter Elvis Costello's “Almost Blue" the sole nod to modern times. BBT's second recording features another ...
2013 DC Jazz Festival: Washington, DC, June 5-15, 2013
by Franz A. Matzner
2013 DC Jazz FestivalWashington, DCJune 5-15, 2013Every summer, the DC Jazz Festival shines a spotlight on Washington, D.C.'s expanding music scene, having grown in parallel with the increased number of jazz clubs, venues, and musicians the nation's capital now harbors. The relationship has been mutually reinforcing. The festival created a ...
Alex Snydman: Fortunate Action
by Edward Blanco
Guitarist-turned-drummer Alex Snydman left behind an established East Coast presence in the Massachusetts and New York area jazz scenes for graduate studies at The California Institute of the Arts and, while in Los Angeles, has produced his very first album as leader with the highly audacious Fortunate Action. A student of Joe La Barbera, Bob Gullotti ...
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