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162

Article: Album Review

The Essence All-Stars: Bongo Bop

Read "Bongo Bop" reviewed by Douglas Payne


A good organ summit that could have been great, Bongo Bop more or less unites B-3 legends Lonnie Smith and Reuben Wilson with wunderkind Joey DeFrancesco and a Hammond player unknown to me by the name of Doug Carn (one wonders who forgot to call John Patton). The disc is something of a follow-up to last ...

526

Article: Album Review

Pat Martino: Footprints

Read "Footprints" reviewed by Douglas Payne


Footprints was originally released as The Visit on Cobblestone Records in 1972 then reissued on Muse under its current title in 1975. This superb record was Pat Martino's sixth as a leader and his first away from the Prestige fold. This tremendous quartet session was recorded March 1972 when the guitarist was still only 27 and ...

331

Article: Album Review

Vince Guaraldi / Cal Tjader: The Grace Cathedral Concert

Read "The Grace Cathedral Concert" reviewed by Douglas Payne


The beautiful Grace Cathedral sits majestically atop San Francisco's famed, and exclusive, Nob Hill. It was the Reverend Charles Gompertz who in 1963 expressed a desire to achieve a “modern setting for the choral Eucharist" (i.e.: make the New Testament sound cool). Along with Barry Mineah, choral director at St. Paul's Church of San Rafael, Gompertz ...

180

Article: Album Review

Jack McDuff: The Re-Entry

Read "The Re-Entry" reviewed by Douglas Payne


The Re-Entry , originally recorded and released on Muse Records in 1988, was Brother Jack McDuff's first recording after a four-year absence from the studios. This, the first of the two Muse dates McDuff recorded with producer/tenor man Houston Person, also features Ron Bridgewater on tenor, Cecil Bridgewater on trumpet, John Hart on ...

231

Article: Album Review

Houston Person: Lost & Found

Read "Lost & Found" reviewed by Douglas Payne


There must be very few musicians as frequently recorded as Houston Person who are as misunderstood, maligned or just plain ignored. The jazz crowd thinks he's just a funkster. And the funk lovers write him off as a balladeer or standards-bearer. Of course, he's all this and more. He's also an accomplished be-bopster, a ...

372

Article: Album Review

Houston Person: Island Episode

Read "Island Episode" reviewed by Douglas Payne


There must be very few musicians as frequently recorded as Houston Person who are as misunderstood, maligned or just plain ignored. The jazz crowd thinks he's just a funkster. And the funk lovers write him off as a balladeer or standards-bearer. Of course, he's all this and more. He's also an accomplished be-bopster, a ...

121

Article: Album Review

David Newman: Lone Star Legend

Read "Lone Star Legend" reviewed by Douglas Payne


Since his heyday in Ray Charles' horn section in the 50s, David Newman has released two dozen albums of some of the swingin'-est soul jazz ever heard. Even when he flirted with funk in the late 60s and disco in the late 70s, Newman never veered far from the soul that powered his distinctive tenor growl. ...

164

Article: Album Review

Dave Grusin: Two For The Road

Read "Two For The Road" reviewed by Douglas Payne


Jazz has always loved the music of Henry Mancini and, lately, quite a few albums have been released in tribute to the late film composer. But this one makes sense: a film composer with a vivid imagination and a deep respect for jazz gets interpreted by a jazz player who himself has scored many films over ...

126

Article: Album Review

Ron Affif: Ringside

Read "Ringside" reviewed by Douglas Payne


Ron Affif, like George Benson, Jimmy Ponder and Joe Negri, is a guitarist from Pittsburgh. Like Benson and Ponder, Affif owes something of his sound and swing to Wes Montgomery. But he's also clearly influenced by the technical virtuosity and warmth produced by Joe Pass. Ringside, Affif's fourth record on Pablo, is dedicated to his father, ...

232

Article: Album Review

Sonny Simmons: American Jungle

Read "American Jungle" reviewed by Douglas Payne


Legendary firebrand Sonny Simmons was one of the great players in the avant-garde, free-bop movement of the early 1960s. Although recorded infrequently, he always made passionate statements on alto that were fierce and relentless. Every note he blew demanded to be heard. He's spent the last 30 years in San Francisco largely unrecorded. But ...


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