Results for "Doug Miller"

Doug Miller

In a town that boasts an unusually large number of top-tier jazz musicians, Doug Miller was one of Seattle’s most respected bass players for 23 years. A mainstay of that regional jazz scene for two decades, Doug appeared in concerts, clubs, clinics and on recordings with many of the world’s leading jazz musicians including James Moody, Ken Peplowski, George Cables, Ray Vega, and Dick Hyman, and he has toured with the Count Basie Orchestra, the Ellington Orchestra, and Ernestine Anderson. He’s a founding member of the critically-acclaimed trio New Stories, and of Big Neighborhood, a quartet that played twenty-first century jazz by merging unusual elements in collage-like compositions that combined unusual energy with edgy improvisation

Count Basie: Late Night Basie

by Jack Bowers
July 28, 2023

Late Night Basie: great idea. Three tracks by the Basie Orchestra and four by other assorted groups: not-so-great idea. Enlisting Jazzmeia Horn to scat on the Basie classic “One O'Clock Jump": rather pointless. Compressing seven numbers (eight, actually) into a meager twenty-four--or perhaps more like twenty-eight--minutes (including a “bonus" track): head-scratching. Mind you, the other ensembles ...

George Russell Remembered

by Duncan Heining
June 21, 2023

How is it that one of the most significant figures in modern jazz is so often overlooked when histories of the music are written? And how come one of its most important composers is not immediately acknowledged when jazz is discussed? Therein hang a number of tangled tales. The centenary of composer, musician, bandleader, ...

A Love Letter To Lena

Label: Declare Music
Released: 2020
Track listing: Old Devil Moon; Home (spoken interlude); I Got A Name; Maybe; Hollywood (spoken interlude); Sometimes I Feel Like a Motherless Child; Seminar with Drinks (spoken interlude); I Want to Be Happy; Soul Mates (spoken interlude); Something To Live For; I'm Free (spoken interlude); Believe in Yourself; The Movement (spoken interlude); Stand Up.

20 Seattle Jazz Musicians You Should Know: Rick Mandyck

by Paul Rauch
October 14, 2020

The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 1930's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...

20 Seattle Jazz Musicians You Should Know: John Bishop

by Paul Rauch
September 2, 2020

The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 30's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...

20 Seattle Jazz Musicians You Should Know: Marc Seales

by Paul Rauch
August 18, 2020

The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 30's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...

New Stories: Speakin' Out

by Edward Blanco
April 14, 2020

Celebrating the 20th Anniversary of a ground-breaking album in their catalog of jazz, Origin Records reissues Speakin' Out from the Grammy-nominated Seattle-based trio with guest Ernie Watts on saxophones. The trio consisting of pianist Marc Seales, bassist Doug Miller and drummer John Bishop, were instrumental in developing the label's sound but, it was their 2000 and ...

New Stories: Speakin' Out

by Jack Bowers
March 6, 2020

New Stories is a seasoned piano trio (and a very good one) rendered even more persuasive on Speakin' Out by the singular presence (on five of nine tracks) of renowned saxophone maestro Ernie Watts. The trio itself consists of pianist Marc Seales, bassist Doug Miller and drummer (and Origin Records founder) John Bishop. The wide-selling album, ...

Carmen Rothwell: The Art of Intuition

by Paul Rauch
August 25, 2017

Seattle, a city synonymous with alternative rock, has long sustained a provincial jazz culture, without a signature sound, but with an openness to innovative, progressive invention. To outside jazz partisans, the city is known for phenomenal high school talent that usually flies the coop, heading east for conservatory training and to pursue professional ambitions.