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Mike Zito and Albert Castiglia: Can Blue Men Sing the Whites?
by Doug Collette
It was back in 1968 that the Bonzo Dog Band tendered the immortal question in this article's title, but it remains an interrogatory relevant to our times. In the sizable community devoted to blues music around the world, passion for music too often leads to posing by too many practitioners of the genre. Not so with ...
Sass Jordan & Dana Fuchs: Two Chanteuses' Blues
by Doug Collette
When performed with style, grace and depth of feeling, singing the blues is a wonder to behold. But when such virtues are replaced by histrionics, affectation and musical self-indulgence, the performers and the performances fall flat. In building their respective careers of no little renown, Sass Jordan and Dana Fuchs have both proven they can deliver ...
DaShawn Hickman with Charlie Hunter: Drums, Roots & Steel
by Doug Collette
When keyboardist John Medeski (of Medeski, Martin and Wood) produced the The Campbell Brothers' Can You Feel It? (Ropeadope, 2005), he helped bring deserved attention to the woefully unrecognized field of “sacred steel," a musical style and African-American gospel tradition that features the steel guitar. Now, seventeen years later, guitar wunderkind Charlie Hunter makes a similar ...
Joanne Shaw Taylor: Blues From The Heart Live
by Doug Collette
Joanne Shaw Taylor Blues From the Heart Live KTBA Records 2022 The title of Joanne Shaw Taylor's Blues From The Heart Live is no more redundant than the one assigned to her last studio release. On The Blues Album (KTBA Records, 2021), the British blueswoman revealed the roots and influences ...
Larry Goldings/Peter Bernstein/Bill Stewart: Perpetual Pendulum
by Doug Collette
Keyboardist Larry Goldings, guitarist Peter Bernstein and drummer Bill Stewart have some history. It extends back to performing in clubs in the late Eighties and then, via decidedly circuitous routes, recording together as a threesome in the Nineties. It's a confluence of circumstance and talent that would continue through the three's appearances on a pair of ...
Summer 2022
by Doug Collette
Jazz Journal is a regular column comprised of pithy takes on recent releases of note, spotlighting titles that might otherwise go unnoticed or that deserve special attention. Manel Fortia Despertar Segell Microscopi 2022 Beginning softly and politely, as befits its title definition (trans. “fall asleep"), “Dormir" is the ...
The Rolling Stones: El Mocambo 1977
by Doug Collette
The die-cut design of the double-CD cover for the Rolling Stones' El Mocambo 1977 mitigates at least to some degree the borderline amateurish cover art. But reversing the pink and blue covers of the twenty-page booklet inside the dual-fold package achieves a greater end than simply altering the simplistic cosmetics; its extraction also reveals a Paul ...
Henry Kaiser & Rome Yamilov and Bernard Allison: Blues Changes
by Doug Collette
Is blues music the most mutable of all musical forms? It's a question worth asking when taking into account the expanse of styles within the genre that stretch all the way from the skeletal acoustic likes of Son House and Reverend Gary Davis to the earthshaking electric onslaughts of Jimi Hendrix and Stevie Ray Vaughan. Henry ...
Mary Halvorson: Alchemist Supreme
by Doug Collette
Produced and mixed by John Dieterich, with complementary cover art of paintings by DM Stith, the two companion pieces constituting the Nonesuch Records debut by Brooklyn-based guitarist, composer and MacArthur fellow Mary Halvorson restore truth to the often-cliched phrase 'the complete package.' Amaryllis features master improvisers in the company of a string quartet rendering arrangements devised ...
Son House and Reverend Gary Davis: The Perpetual Appeal Of The Blues
by Doug Collette
Perfectly complementary in their earthy simplicity, the archive titles by Son House and Reverend Gary Davis offer an antidote to the antiseptic ephemera that is contemporary pop. None other than Dan Auerbach of the Black Keys curated the former's Forever On My Mind (and released it on his own Easy Eye Sound label) while the latter's ...
