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Lucinda Belle: Think Big: Like Me
by Paul Naser
As a reported tour featuring Amy Winehouse's hologram nears in winter 2018 and news also comes of a final album by The O'Jays, it seems there is still room in the world for music rooted in soul and with “jazzy" inflections. Enter vocalist/harpist/songwriter Lucinda Belle. Less Dorothy Ashby and more Peggy Lee (if Lee ...
Celebrate songwriters Abbey Lincoln and Bernice Petkere
by Mary Foster Conklin
Many special birthdays in this episode of A Broad Spectrum as we honor the great Abbey Lincoln and remember Bernice Petkere, named the “Queen of Tin Pan Alley" by Irving Berlin for her songs “Close Your Eyes" and “"Lullaby of the Leaves." Playlist Linda Dachtyl “A Late One" from A Late One (Chicken ...
Alina Bzhezhinska: Inspiration
by Roger Farbey
There have been precious few harpists in jazz. Dorothy Ashby was one, David Snell who made a memorable contribution to John Dankworth's What The Dickens! (Fontana Records, 1963) was another. But surely the most famous of them all was Alice Coltrane. So it is that Alina Bzhezhinska has dedicated this album to her heroine. It's a ...
Ravi Coltrane Live in Montreal and New York City
by Dave Kaufman
Ravi Coltrane continues to evolve as an artist of remarkable depth and breadth as reflected in the diversity of contexts in which he engages. Coltrane was featured in three different musical settings at the recent (2017) Montreal International Jazz Festival Invitation Series. All concerts were held at the Centre de Creativite Gesu, an intimate concert hall ...
Harp Happenings: Brandee Younger And Pacific Harp Project
by Dan Bilawsky
Harp happenings are relatively rare in jazz, but they are there. And when two highly agreeable and strikingly different harp-centric affairs appear on your doorstep around the same time, it really makes you stop and take notice of the instrument, its potential, and the players who are moving it forward and outward in various directions. Both ...
Rare and Unusual Instruments in Jazz
by Hrayr Attarian
Historically the cornet was the quintessential jazz instrument but over a century of its evolution other instruments have also become part of the regular jazz armamentarium. These include common ones such as the piano, saxophone, bass and drums to the more occasionally appearing violin, clarinet and other percussion instruments. There are few, however, that exhibit unique ...
Brandee Younger 4tet: Live At The Breeding Ground
by Dan Bilawsky
While a list of currently operating notables on nearly any given instrument could fill anywhere from a chapter to a book or two, a rundown of head-turning active jazz harpists might only fill out a very small portion of a leaflet. The most important among them--Latin jazz trailblazer Edmar Castaneda, refined role model Carol Robbins, and ...
Edmar Castaneda: A World Of Music
by Ian Patterson
The harp may be the least common instrument in jazz/improvised music--even the humble kazoo gets more of a run out. Dating back over 5,000 years to ancient Mesopotamia, the harp in its various guises is common to nearly all cultures across the continents. Throughout Asia, Africa and Latin America the harp is an important element of ...
44 Voll-Damm Festival Internacional de Jazz de Barcelona: Omar Sosa y Paolo Fresu con Cristina Pato
by Enrique Turpin
Omar Sosa y Paolo Fresu con Cristina Pato44 Voll-Damm Festival Internacional de Jazz de BarcelonaLuz de Gas30 de octubre de 2012 Omar Sosa se ha hecho ya una presencia casi ineludible en el panorama jazzístico barcelonés. No sólo cuenta el hecho de que sea un músico que reside en la ciudad ...
Carol Robbins: Moraga
by Hrayr Attarian
The harp is certainly rare in jazz and so its role in a traditional combo is not well defined. Alice Coltrane, for example used it as a supplement to her keyboards, while Adele Girard, played it like a boogie woogie piano. Others like Janet Putnam and Betty Glamann were relegated to a rhythm guitar role in ...
