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Various Artists: John Sinclair Presents Detroit Artists Workshop
by Chris May
Valuable as both a curated chronicle of jazz history and as high-grade music, John Sinclair Presents Detroit Artists Workshop: Community, Jazz And Art In The Motor City 1965—1981 comprises around 70 minutes of live recordings by some of Detroit's finest sons along with an informative 24-page booklet. Among the musicians are trumpeters Donald Byrd and Charles ...
Sean Nelson's New London Big Band: Social Hour
by Chris M. Slawecki
"For as long as I can remember, I've wanted to have my own big band--an epic jazz orchestra of 17+ musicians," writes trombonist Sean Nelson in the liner notes to this set named for the 17-piece New London Big Band's home base, The Social Bar + Kitchen in New London, Connecticut. Nelson, also a ...
Various Artists: Blue Note Re:imagined II
by Chris May
The second instalment of Blue Note Re:imagined comprises sixteen revamps of tunes from the label's back catalogue, newly recorded by a cohort of rising British soul, R&B and, listed last here for a reason, jazz stars. On its own terms, it is a classy exercise, but the target market for this series is not traditional Blue ...
Freaks in Mayberry & the Boney Oscar Stomp
by Chris M. Slawecki
Giuseppe Paradiso & Meridian 71 Parallel Dimensions Ubuntu Music 2022 Parallel Dimensions steers the listener's imagination through a luxurious multicultural tapestry woven in music by drummer, vocalist, composer, arranger and producer Giuseppe Paradiso and his sextet. It explores broad musical horizons that can sound radiantly bright ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Horace Silver: His Only Mistake Was To Smile
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. “[Silver]'s only mistake," he wrote, “was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
May 2022: Music In The Air
by C. Michael Bailey
Mark Christian MIller Music In The Air Sliding Jazz Door 2022 Southern California has an embarrassment of jazz vocal riches, of which Mark Christian Miller is a considerable part. A welcome fixture in the Los Angeles area, Miller has released two previous recordings in 2004's Dreamer With A Penney (Sliding Glass ...
Jazz At The Joint: Nat Reeves
by C. Michael Bailey
Nat Reeves Jazz At The Joint North Little Rock, AR April 11, 2021 The April 2022 edition of Ted Ludwig's “Jazz At The Joint" welcomed Hartford, Connecticut-centered bassist Nat Reeves to The Joint's stage in North Little Rock, Arkansas. Reeves has spent the last 40 years performing and recording with the ...
Marquis Hill: New Gospel Revisited
by Chris May
Chicago-born trumpeter Marquis Hill released his first album while still in college and in 2022, just over a decade later, he has retooled it on New Gospel Revisited, recorded live in his hometown with a fresh lineup and tweaked instrumentation. It is a terrific disc. Like his near contemporary and fellow trumpeter Christian ...
'70s sounds: Randy Weston, Freddie Hubbard + Goatface! and Ingebrigt Håker Flaten
by David Brown
This week, Scandinavian sounds from both Linda Fredriksson and Ingebrigt Håker Flaten, a slick '70s set from Randy Weston, Freddie Hubbard and Joe Henderson, then, a Latin groove takes over with Mongo Santamaria, Oscar Hernandez and more, and finally, zone out in Brazil with Goatface! Welcome friends and neighbors to The Jazz Continuum. Old, new, in, ...
