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83

News: Recording

First Time on CD: Sony Masterworks Jazz Releases More Classic Reissues

Masterworks Jazz continues its celebration of the 40th Anniversary of CTI Records with reissues of four more classic CTI albums available on August 9. Available for the first time on CD are Airto's Fingers, Jackie Cain & Roy Kral's A Wider Alias, Joe Farrell's Outback and Randy Weston's Blue Moses. All four releases have been remastered ...

190

Article: Album Review

George Benson: Body Talk

Read "Body Talk" reviewed by Dan Bilawsky


With a title like Body Talk, and a lead-off track called “Dance," George Benson--a guitar-god-on-the-rise when this album originally hit shelves in 1973--makes it clear that this music is all about feeling the groove. While a good number of Benson projects on CTI benefited from Don Sebesky's arrangements, the guitarist needed a funkier feeling for this ...

247

Article: Album Review

Chet Baker: She Was Too Good To Me

Read "She Was Too Good To Me" reviewed by Chris M. Slawecki


Newly reminted in 2010's CTI Masterworks series, She Was Too Good To Me was originally Chet Baker's 1974 “comeback album," his first recording since a well-publicized mugging by junkie acquaintances (hardly “friends") that relieved the singer and trumpet player of his money, dope and most of his teeth. “Believe me," Baker once observed, “when a trumpet ...

233

Article: From the Inside Out

Voices Instrumental in Jazz

Read "Voices Instrumental in Jazz" reviewed by Chris M. Slawecki


Natacha AtlasMounqalibaSix Degrees Records2010 Vocalist Natacha Atlas seems to embody the modern musical millennia: She was born in Brussels and raised in one of its Moroccan suburbs; her compositions and singing reach into and crisscross storied European and Arabic musical traditions. Primarily co-written ...

233

Article: Album Review

Don Sebesky: Giant Box

Read "Giant Box" reviewed by Dan Bilawsky


It's a bit bizarre to find an album called Giant Box in a small cardboard case, or as a download lacking physical form, but times change. When Don Sebesky's grand musical statement on CTI hit the marketplace in 1973, it came in a classical-type record box, befitting the stature of the music. Opinions ...

83

Article: Album Review

Stanley Turrentine: Salt Song

Read "Salt Song" reviewed by Dan Bilawsky


Stanley Turrentine's Sugar (CTI, 1970) has always stood out as the defining album in the tenor saxophonist's post-Blue Note discography, but that recording only marked the beginning of his beautiful relationship with Creed Taylor's CTI imprint. Turrentine's time with the label spanned the first half of the '70s and produced a few other winning albums that ...

172

Article: Album Review

Freddie Hubbard: First Light

Read "First Light" reviewed by Dan Bilawsky


It's fitting that the third wave of Sony Masterworks' CTI reissue campaign includes Freddie Hubbard's First Light, which was the third and final album in Hubbard's holy trinity on CTI. While the trumpet titan continued to record for Creed Taylor's imprint after this session, the work that followed First Light never fully measured up to his ...

92

News: Recording

CTI Records 40th Anniversary Celebration Continues

MASTERWORKS JAZZ continues the celebration of the 40th anniversary of CTI Records, the beloved jazz label founded in 1970 by producer Creed Taylor with the release of 4 more classic reissues available on April 12, 2011. They include: George Benson's Beyond the Blue Horizon, Freddie Hubbard's First Light, Don Sebesky's Giant Box and Stanley Turrentine's Salt ...

123

Article: Multiple Reviews

Milt Jackson and Paul Desmond: Elder Statesmen on CTI

Read "Milt Jackson and Paul Desmond: Elder Statesmen on CTI" reviewed by Dan Bilawsky


Popular music is usually a young person's game. Older artists, in any genre, often get pushed to the periphery to make way for the next big thing that can sell in numbers. But the CTI label was age-blind when it came to its artist roster. While it's certainly true that the stable of musicians on the ...

310

Article: Album Review

Milt Jackson: Sunflower

Read "Sunflower" reviewed by John Kelman


With a series of mainstream dates to his credit dating back to the early 1950s—not to mention charter membership in the now-legendary Modern Jazz Quartet (MJQ) and one-offs with everyone from bop saxophonist Charlie Parker to “new thing" saxophonist John Coltrane—vibraphonist Milt Jackson was the clear link between his instrument's swing era beginnings with Lionel Hampton ...


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