Results for "Don Friedman"
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Don Friedman
Born:
Don Friedman was born May 4, 1935, in San Francisco. His parents loved classical music and they owned a piano. Under their guidance, Don started playing at age four. He began lessons at five with a private teacher named Katherine Swint. Though he had no exposure to jazz at this time Don taught himself to improvise. When he was 15, his family moved to the San Fernando Valley in Greater Los Angeles. Two years later he began to head regularly for the Hollywood Palladium to hear the bands of Les Brown, Stan Kenton and Billy May. That fueled his love for jazz. Kenton soloists Lee Konitz, Conte Condoli, and Frank Rossolino inspired Don as he transformed his focus from classical music to jazz. Don studied jazz at Los Angeles City College and also on his own by playing along with records of Charlie Parker, Sonny Rollins and Miles Davis
Harvie S, Roni Ben-Hur with Sylvia Cuenca: Wondering
by Troy Dostert
One of the drawbacks of being a consummate sideman is that it can be hard to find time for one's own projects as a leader. That is certainly the case for bassist Harvie S who, in a long career, has distinguished himself with superb work in support of Sheila Jordan, Don Friedman, Alan Broadbent, and many ...
Criss Cross Records: The Healing Power Of Authenticity
by Chris May
When the founder of the Netherlands-based Criss Cross Jazz label, Gerry Teekens, passed away in 2019, there was an odds-on chance that Criss Cross would leave town with him. That is often the fate, in such circumstances, of organisations led by a singular visionary and defined by their personal aesthetic. The loss of the label would ...
This Could Be The Start Of Something Big! - Clark Terry Plays TV Themes
By Clark Terry
Label: April 1 Records
Released: 2022
Track listing: This Could Be The Start Of Something Big; I Dream Of
Jeannie; Get Smart; Theme From M*A*S*H (Suicide Is
Painless); Peter Gunn; The Name Of The Game; Meet The
Flintstones; The Rockford Files; plus many more.
Clark Terry: This Could Be The Start Of Something Big! - Clark Terry Plays TV Themes
by Ken Dryden
The late NEA Jazz Master Clark Terry was known for his brilliant playing and sense of humor, the latter which first came into wide recognition when he introduced his “Mumbles" routine in two original blues on the album Oscar Peterson Trio + 1—Clark Terry (Mercury, 1964). By the early 1970s, he was well established and had ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
Attila Zoller and Don Friedman
Attila Zoller is another guitarist who's fame has unfairly faded with time among jazz fans. Like guitarist Gabor Szabo, Zoller was a Hungarian refugee who escaped Soviet invasion. He found his way to Austria in 1948 and moved to the U.S. in 1959 to perform, record and teach. He also had enormous influence over the jazz ...
My Early Years With Bill Evans, Part 1
by Chuck Israels
Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...
Aaron Goldberg, John Coltrane and more
by Joe Dimino
This week's episode of Neon Jazz opens with At the Edge of the World, the latest album by gifted New York City-based jazz pianist Aaron Goldberg. During the rest of the episode we feature music ranging from the feisty veteran Betty Carter to the richly talented Kansas City saxophonist Ernest Melton from his highly anticipated album ...
Brittany Anjou: Enamiĝo Reciprokataj
by Dan Bilawsky
There's a fascinating disjunction shaping the work of pianist Brittany Anjou. In one bend of being, her endeavors reflect extreme faith in the concept of catholicity. As a student of Esperanto--the “universal language" devised by Dr. Ludwig Lazarus Zamenhof in the late 19th century--and a musician warmly embracing an ecumenical approach, open lines and the ability ...
