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Ted Nash: The Goal Is Creativity
by R.J. DeLuke
A New York City morning often starts early, sometimes 6 a.m., for this musician who is trying to elongate the hours available in a day. There's a lot to get to. Practicing the saxophone or flute. Sitting down to go through the elusive and demanding task of writing music worthy of the plateau, which these days ...
Trilok Gurtu: Where East Meets West
by Adriana Carcu
Percussionist Trilok Gurtu belongs to that elevated group of musicians who, along their careers, have not only acquired a uniqueness of sound, but have also contributed to the widening of the notion of contemporary music. By crossing genre boundaries, and by mingling styles and ethnic influences, Gurtu has created and performed within the generous sound space ...
What Is Jazz Now?
by Dom Minasi
Back in February, All About Jazz Managing Editor John Kelman asked me to develop a column based on points I made in the comment section of the article BAM or JAZZ: Why It Matters. I still feel the same way, but trumpeter Nicholas Payton's statement that jazz died in 1959 made me think, and I've been ...
Bobby Sanabria Big Band: Multiverse
by Dan Bilawsky
Drummer/historian/educator/percussionist Bobby Sanabria is more than the sum of his parts; he's actually the sum of all parts, collected, absorbed and observed over the course of his musical life. The Nuyorican jazz giant is a stylistic sponge, historical repository and bringer of the boom, but he's a true artist above all else. He understands that music ...
Ljubljana Jazz Festival: Ljubljana, Slovenia, June 20–29, 2012
by Henning Bolte
Ljubljana Jazz FestivalLjubljana, SloveniaJune 20-29, 2012Ljubljana, with its 53rd edition, truly hosts the oldest jazz festival in Europe. Norway's Molde, also a candidate, started one year later, in 1960. The capital of the now-independent Republic of Slovenia, neighbored by Austria, Hungary, Croatia and Italy, Ljubljana is situated one hour from Trieste, two hours ...
June Means Jazz as Festivals Flourish
by Jack Bowers
June, as always, is a harbinger of exciting things to come as the jazz festival season springs forth in earnest, causing even the most ardent couch potatoes to bestir themselves and start perusing the calendar to locate interesting events in their neck of the woods. Here in New Mexico, the “outdoor" season comes to life with ...
Caution: Brief Column Ahead...
by Jack Bowers
This may be one of the shortest columns I've written in fourteen-plus years at All About Jazz. The fact is, not much has happened this month in our little corner of big band jazz, and there is almost nothing to report. About all we can do is look forward to events on the horizon: Jazz Under ...
Jim Manley: Brass Poison Too
by Nicholas F. Mondello
Trumpet players who dwell in the altissimo range of the instrument face multiple dilemmas: they must maneuver the purely physical demands of playing in that extreme register (challenging), perform impeccably (difficult) and display musical grace and ease in doing so (incredibly difficult). Complicating matters, there are always the ghosts of Maynard Ferguson, Bill Chase and others ...
Mike Westbrook: Art Wolf at 75
by Duncan Heining
Close your eyes for a moment. Imagine a jazz composer who began with Ellington and then moved on through Mingus. He soon encompassed rock music, Kurt Weill, Rossini, the traditions of English church music and the pastoralism of Vaughan Williams and Holst, but still found a place in his music for The Beatles, European political cabaret ...
Take Five With Tommy Vig
by AAJ Staff
Meet Tommy Vig: Born to a musical family in Budapest, Tommy Vig was internationally recognized as a child prodigy by the age of six, playing drums with his father, clarinetist Gyorgy Vig. His sense of improvisation, rhythm and energy at that young age made him unique, and he performed live concerts on radio, at ...
