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Results for "Don Cherry"
KSDS Jazz 88 Ocean Beach Music and Arts Festival
by Robert Bush
Jazz 88 Ocean Beach Music & Art FestivalWinston's, Hodad's Stage, The Harp Ocean Beach, CA September 11, 2010 Perfect day for a party: the sun shone bright in a cloudless sky, it's heat mitigated by a cool ocean breeze. After a one year hiatus due to the terrible economy of ...
Archie Shepp: The New York Contemporary Five
by Jerry D'Souza
In 1963, cornetist Don Cherry , tenor saxophonist Archie Shepp , drummer J.C. Moses, alto saxophonist John Tchicai and bassist Don Moore performed at the Jazzhus Montmartre in Copenhagen . At the time, Cherry was just coming off from playing with Ornette Coleman, while Shepp was transitioning from Bill Dixon. Tchicai had met Cherry and Shepp ...
Kane Mathis: Kora Meets Jazz
by AAJ Staff
Seattle's Kane Mathis is one of the world's leading performers on the kora, the distinctive (usually) 21-stringed West African harp instrument that is the major instrument of the Mandinka people of Mali; the Malian equivalent of the Western keyboard. Mathis has studied the instrument since the age of twenty, making several trips to The Gambia to ...
Tatsuya Nakatani: Essences and Abiogenesis
by Clifford Allen
What is improvised music without visuality? While the music of improvising composers can be felt and picked apart aurally, the physical act of making music in an un- preconceived setting is something rather extraordinary and easily lost through the audible distance of a recording. It's not just the dynamic, theatrical high jinks of a player like ...
Geof Bradfield: African Flowers
by Mark Corroto
Saxophonist Geof Bradfield's experiences traveling and performing in Rwanda, Congo, Uganda, and Zimbabwe in 2008 were the inspiration for African Flowers. Bradfield was a member of pianist Ryan Cohan's quartet, and the band took part in a US State Department/Jazz at Lincoln Center tour. This extended work for sextet features excellent writing and strong musicianship from ...
Bobby Zankel: Peaceful Jazz Warrior
by Victor L. Schermer
For many decades, Philadelphia has been home to a cadre of multi-generational jazz musicians who go on year-after-year composing, arranging and performing some of the best, highest level music to be heard anywhere. This tradition is exemplified in no better way than by alto saxophonist, composer and bandleader Bobby Zankel. Zankel apprenticed with legendary ...
Dave Holland & Pepe Habichuela: Hands
by John Kelman
Sometimes the best indicator of an artist's versatility is in the side projects they accept. Bassist Dave Holland's career could hardly be described as monolithic, with his discography as a leader--ranging from his quintet (Critical Mass (Dare2, 2006)) to his big band (Overtime (Dare2, 2005)) --nothing short of but exemplary. Still, some of the most unexpected ...
Eclectic electric jazz comes of age
by Mark Corroto
Back in the 1980s, the marriage of jazz and electronics produced the unfortunate, creativity destroying “jazz fusion" genre. That was because drum machines, synthesizer produced horn lines and computer generated hand claps were often too perfect. A sort of “sanitized for your protection" version of motel drinking glasses. Think about the then innovative trumpeter Miles Davis' ...
Nobu Stowe: Beyond Free
by Glenn Astarita
The music of NS (Nobu) Stowe is synonymous with the musical storytelling characterized with spontaneity and melodic romanticism--a true rarity in the field of fully improvised music. Stowe has not only mastered the art of total improvisation--a method of fully improvised music that embraces song-like melody, tonal harmony and rhythmic propulsion as well as more commonly ...
New York Art Quartet: Old Stuff
by Nic Jones
Hindsight can be a wonderful thing. For instance, if this music is imbibed with a measure of it, it's possible to hear that the frontline of trombonist Roswell Rudd and saxophonist John Tchicai is one of the most distinctive in improvised music of recent decades. Rudd enjoyed, of course, a similar musical relationship with Steve Lacy, ...
