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Pasquale Mirra: Moderatamente Solo
by Neri Pollastri
Ultima uscita in ordine di tempo dell'etichetta Fonterossa di Silvia Bolognesi (che ce ne parlava nell'intervista che le abbiamo fatto recentemente ), Moderatamente Solo di Pasquale Mirra è un rarissimo esempio di album per solo vibrafono. Registrato dal vivo nel 2016 al Fonterossa Day #2 di Pisa, è dedicato dal suo autore ai propri genitori. Sebbene ...
Albert Ayler Quartet: Copenhagen Live 1964
by Mark Corroto
It's almost as if the phenomenon that was saxophonist Albert Ayler was just a dream. Nearly fifty years after his death, listeners (and musicians, for that matter) are still catching up to him, and realizing his gift. His life, like that of Charlie Parker, ended at age 34. But where Parker (an originator of bebop) developed ...
Charlie Haden / Liberation Music Orchestra: Time/Life:Songs For The Whales And Other Beings
by Ian Patterson
Formed by bassist Charlie Haden in 1969 to protest America's war in Vietnam/Indochina, the Liberation Music Orchestra has reconvened roughly every ten years to record musical protest in the face of major injustices. Time/Life: Song for the Whales and Other Beings was inspired by concern at global ecological destruction, and to that end the music has ...
Omar Sosa Residency at SFJAZZ
by Harry S. Pariser
Omar Sosa Residency SFJAZZ Spring Season San Francisco, CA April 21-23, 2017 “You don't really listen to an Omar Sosa concert so much as experience it. The Cuban-born pianist's overall demeanor exudes a sense of calm and deep reflection, while a spiritual connection to music and his ancestors comes ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Jan Garbarek: Popofoni
by Duncan Heining
Popofoni was originally issued as a double LP in the early seventies. It was both a reaction and a response by a number of Norwegian composers to a spurious debate that had taken place on Norwegian television in 1969. The debate pitted proponents of popular culture against spokespeople for European Art Music. Popofoni was intended an ...
The Black Butterflies: Luisa
by Matt Marshall
On their two previous releases, 1 de Mayo (2010) and Rainbows for Ramon (2012), The Black Butterflies built soulful, searching jazz with dense, kinetic layers of Latin and African rhythms. Using both group improvisation and individual statements, they freely, yet unhurriedly, explored the boundaries of their music, often lingering in spots to let the tonal palette ...
Kenny Warren Quartet: Thank You For Coming To Life
by Roger Farbey
Born in Denver, Colorado Kenny Warren is now an established member of the New York improvised music scene having moved to NYC in 2002. He's been kept busy with various projects including his folk-jazz outfit Laila and Smitty, and playing with pianist Bobby Avey and tenor saxophonist Tony Malaby amongst many others. Listening to ...
Arthur Blythe, 1940-2017: A Remembrance
by Todd S. Jenkins
The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past ...
Festival International de Jazz de Port-au-Prince, 2017 - Part 2
by Mark Sullivan
Part 1 | Part 2 Festival International de Jazz de Port-au-Prince Port-au-Prince, Haiti March 4-11, 2017 In celebration of International Women's Day, Wednesday's concert featured all bands led by women, a first for the festival. Chilean saxophonist Melissa Aldana kicked off the show. Although not literally--she explained ...
