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James Brandon Lewis: An Unruly Manifesto
by Mark Corroto
The revolution will not be televised. Those words by Gil Scott-Heron from 1970 are more relevant to today's jazz revolution than any time since the mid-1990s, when conservatively-dressed youngsters mimicked the post-bop of the 1960s and were promoted as liberators. More recently, the touted saviors rehash a quasi-spiritual fusion that stands in for à la mode ...
Federica Michisanti Horn Trio: Silent Rides
by Neri Pollastri
Emersa rapidamente come una delle giovani promesse del nostro jazz, Federica Michisanti è fresca vincitrice del Top Jazz per i nuovi talenti, in parte grazie a questo Silent Rides, anch'esso tra i migliori album italiani del 2018. Un lavoro la cui registrazione era stata anticipata da alcuni concerti, tra i quali quello estivo a Valdarno Jazz ...
Home Boy, Sister Out
By Don Cherry
Label: WEWANTSOUNDS
Released: 2018
Track listing: Call Me; Treat Your Lady Right; Butterfly Friend; I Walk; Art Deco; Rappin' Recipe; Reggae To The High Tower; Alphabet City; Bamako Love; Kick (single version); Rappin' Recipe (instrumental); Benoego; Initiation (demo); Treat Your Lady Right (bim bam bom).
Reto Anneler: Stille Post
by James Fleming
Stille Post is a record as spacious as a solar system. Reto Anneler's alto and Cristoph Grab's tenor move around the rhythm section like planets orbiting a distant sun. And when the two horns align, the music glows with the red light of an eclipse, shining down on the spare basslines and pointed drumming of Claudio ...
Roberto Ottaviano: Eternal Love
by Neri Pollastri
Dopo il lavoro dedicato in spirito a John Coltrane pur senza omaggi diretti (Sideralis) e quello precedente dedicato a Steve Lacy (Forgotten Matches), Roberto Ottaviano ha sentito il bisogno di “un “bagno mistico" in cui il Jazz si fa infine Musica Totale, ma sopratutto travalica l'idea fine a se stessa di fare musica, per scavare a ...
Chris Pasin: Ornettiquette
by Mark Corroto
Included on an album dedicated to the legendary Ornette Coleman, it is “Ghosts," a composition by saxophonist Albert Ayler. Trumpeter Chris Pasin assembled an impressive collection of musicians to record Ornettiquette with Karl Berger and vocalist Ingrid Sertso, both connected to the 1960s revolution through their work with Coleman and Don Cherry. In addition, there's saxophonist ...
November Birthday Salutes
by Marc Cohn
It's time to celebrate November birthdays! Among the worthies, we also celebrate the 50th anniversary of the Phil Woods recording Alive and Well in Paris, which was slated for release on Impulse! in the States, but never released here; there must be a story about this, but I'm in the dark. It is an absolutely stunning ...
Jazz Musician of the Day: Don Cherry
All About Jazz is celebrating Don Cherry's birthday today! Don Cherry was born in Oklahoma City, OK in 1936 and raised in Los Angeles, where he first began to play the trumpet and later piano. According to Cherry, his upbringing had everything to do with his interest in music: “Yeah, well I was fortunate to have ...
Way North: Fearless And Kind
by Dan McClenaghan
This roots jazz band is called Way North, presumably for their home base in Toronto. But a spin of their second recording, Fearless and Kind, says they could have tagged the quartet Way South, especially considering the opening tune, “Boll Weevil," and the two-part “Jelly Roll Morton Medley." Their music has a sort of Ornette Coleman ...
Sarathy Korwar & The UPAJ Collective: My East Is Your West
by Chris May
Indo-jazz fusion has distinguished ancestry in Britain. The music took shape in the mid to late 1960s, when a string of extraordinary albums, each with one foot in Indian classical music and the other in post-bop jazz, were recorded by guitarist Amancio D'Silva and violinist John Mayer. Both featured empathetic jazz musicians (Joe Harriott, Don Rendell, ...
