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Results for "Don Cherry"
Mattias Stahl : gli album che sto ascoltando
by Vincenzo Roggero
1. Thelonious Monk, Solo Monk, (Columbia, 1965). Ritorno sempre a questo disco, ascolto un sacco di Bach ma dopo un po' ho bisogno di qualcosa per staccare e Monk è la ricetta. E lo preferisco in solo o in trio. 2. Getatchew Mekurya, Negus of Ethiopian Sax , (Philips, 1970).
Gabriele Mitelli / John Edwards / Mark Sanders: Three Tsuru Origami
by Mark Corroto
Birds of a feather, as they say, flock together. Proof positive is the trio of Italian trumpeter Gabriele Mitelli (who also doubles on soprano saxophone and electronics), and the Englishmen, bassist John Edwards and drummer Mark Sanders. Three Tsuru Origami (tsuru is the Japanese word for crane) continues the avian theme with the bulk of the ...
Henry Franklin: Jazz Is Dead 14
by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
WMI And SummerStage Present Adam Rudolph’s Go: Organic Orchestra And Guests on Saturday, September 10
With a 37-year curatorial presence in NYC, World Music Institute is mainly known for presenting traditional and contemporary music from around the world. However, in the early years, WMI's programming included the 'Improvisations'series, rooted at the intersection of NYC's jazz and improvised music scene and the music of our immigrant communities. The series brought together musicians ...
Will Bernard Finds His Own Path To Jazz Career
by Jim Trageser
Guitarist Will Bernard doesn't consider himself a “regular" jazz player. He says this occurred to him when he was being asked to play on some recording sessions in New York. “In New York, I've been doing some recording—I did three records for PosiTone, which is more of a jazz label. They're actually ...
Take Five with Monday Michiru
by AAJ Staff
Meet Monday Michiru Since her solo album debut in 1991, songstress-flutist Monday Michiru has released albums on an annual basis both as a soloist and collaborator. Known as one of the pioneers of the Japanese acid jazz movement and boasting countless dance floor and radio hits worldwide, Monday's compositional style and repertoire has evolved to that ...
Ornette Coleman: Genesis of Genius: The Contemporary Albums
by Jeff Kaliss
For many an Ornette Coleman devotee, devotion was pledged with the singular saxophonist's The Shape of Jazz to Come (Atlantic). It was recorded in May and released in November of 1959, and it's a matter of when in our life we caught up with it. For some of us, that's when we first felt liberated by ...
Miles Davis & Don Cherry: Which One Is The Grifter?
by Chris May
The Swiss-based ezz-thetics label's Revisited strand of reissues is a jazz connoisseur's dream. The label identifies outstanding albums of the 1960s, sets one of its gifted audio engineers to mastering them and makes them newly available. Earlier editions of many of these albums are hard to find and the sound on all of them is substantially ...
Roberto Zorzi: esplorazione senza confini
by Angelo Leonardi
Il percorso musicale del chitarrista Roberto Zorzi è così ricco ed eclettico che è impossibile includerlo in un particolare genere musicale. L'iniziale amore per visionari artisti rock come Robert Fripp e Brian Eno s'è arricchito nel tempo di approcci, tanto liberi quanto anticonvenzionali, di Derek Bailey e altri esponenti dell'avanguardia inglese degli anni settanta. La ricerca ...
Charu Suri: The Jazz Raga
by Karl Ackermann
The Roots of Indo-JazzJazz and Indian ragas share common ground in their traditional use of improvisation. They are often talked about in compatible terms, but Ravi Shankar, for one, did not believe that ragas could be compared to jazz improvisation. Spontaneous creation in jazz differs from the complex rhythmic structural patterns of Indian improvisation. Shankar became ...
