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Take Five with Monday Michiru
by AAJ Staff
Meet Monday Michiru Since her solo album debut in 1991, songstress-flutist Monday Michiru has released albums on an annual basis both as a soloist and collaborator. Known as one of the pioneers of the Japanese acid jazz movement and boasting countless dance floor and radio hits worldwide, Monday's compositional style and repertoire has evolved to that ...
Ornette Coleman: Genesis of Genius: The Contemporary Albums
by Jeff Kaliss
For many an Ornette Coleman devotee, devotion was pledged with the singular saxophonist's The Shape of Jazz to Come (Atlantic). It was recorded in May and released in November of 1959, and it's a matter of when in our life we caught up with it. For some of us, that's when we first felt liberated by ...
Miles Davis & Don Cherry: Which One Is The Grifter?
by Chris May
The Swiss-based ezz-thetics label's Revisited strand of reissues is a jazz connoisseur's dream. The label identifies outstanding albums of the 1960s, sets one of its gifted audio engineers to mastering them and makes them newly available. Earlier editions of many of these albums are hard to find and the sound on all of them is substantially ...
Roberto Zorzi: esplorazione senza confini
by Angelo Leonardi
Il percorso musicale del chitarrista Roberto Zorzi è così ricco ed eclettico che è impossibile includerlo in un particolare genere musicale. L'iniziale amore per visionari artisti rock come Robert Fripp e Brian Eno s'è arricchito nel tempo di approcci, tanto liberi quanto anticonvenzionali, di Derek Bailey e altri esponenti dell'avanguardia inglese degli anni settanta. La ricerca ...
Charu Suri: The Jazz Raga
by Karl Ackermann
The Roots of Indo-JazzJazz and Indian ragas share common ground in their traditional use of improvisation. They are often talked about in compatible terms, but Ravi Shankar, for one, did not believe that ragas could be compared to jazz improvisation. Spontaneous creation in jazz differs from the complex rhythmic structural patterns of Indian improvisation. Shankar became ...
The OGJB Quartet: Ode To O
by Jerome Wilson
The OGJB Quartet, a formidable all-star grouping of saxophonist Oliver Lake, cornetist Graham Haynes, bassist Joe Fonda and drummer Barry Altschul, are back with their second album, one even more wide-ranging and soulful than their first, Bamako, (TUM, 2019). The album combines tracks based on gutbucket rhythms with others full of exploratory abstractions. The ...
Jazz Not War: Part 2
by Ludovico Granvassu
This time we'll let music do all the talking because it's hard to find words that can channel what's going on. If anything it's in times like this that we are reminded about the power of music. If anything it's in times like these that we are reminded about the power of music. And jazz, in ...
Nortonk: Nortonk
by Angelo Leonardi
Nato nel 2017 con tutti i componenti sotto i 25 anni, il quartetto Nortonk prende il nome dal batterista Kevin Norton, insegnante del programma jazz al William Paterson College. È un omaggio di allievi che hanno ben assimilato la sua estetica di musicista creativo e sperimentatore d'avanguardia. L'organico senza strumento armonico già svela ...
Belgrade Jazz Festival 2021
by Martin Longley
Belgrade Jazz Festival Dom Omladine/Kombank Dvorana Belgrade, Serbia October 26-November 1, 2021 The 37th Belgrade Jazz Festival made a full return to its accustomed international nature, following the late 2020 mostly-Serbian edition. Artists successfully managed to arrive from the USA and various parts of Europe, with no cancellations ...
Don Cherry: Complete Communion & Symphony for Improvisers Revisited
by Stefano Merighi
Di fronte a questi gioielli di Don Cherry degli anni '60 che cosa si può scrivere ancora? Si può solamente invitare ad ascoltarli con orecchie ricettive e lasciarsi andare all'emozione, come scriveva Nat Hentoff nelle sue note originali per Complete Communion, senza perdere molto tempo in analisi formali poco utili. Questa edizione ...
