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219

Article: Album Review

Ron Carter: Dear Miles

Read "Dear Miles" reviewed by John Barron


There certainly hasn't been a shortage of artists recording tributes to Miles Davis since the trumpeter's death in 1991. The list includes contributions as diverse as Benny Golson's I Remember Miles (Milestone, 1992), Henry Kaiser and Wadada Leo Smith's Yo Miles! (Shanachie, 1998) and Cassandra Wilson's Traveling Miles (Blue Note, 1999). Almost forty years since parting ...

317

Article: Album Review

Bill Charlap Trio: Live at the Village Vanguard

Read "Live at the Village Vanguard" reviewed by Jim Santella


Recorded in September 2003, this program includes several standards, giving a sense of familiarity to its essence. Pianist Bill Charlap enjoys a mellow groove. He squeezes the melody out of the piano as if it were coming from a rose petal. Nothing stands in his way as he sends each lyrical theme on its way. With ...

311

Article: Album Review

Kendrick Scott Oracle: The Source

Read "The Source" reviewed by J Hunter


The first time I saw Kendrick Scott, he wasn't supposed to be there. Eric Harland was a no-show for the Terence Blanchard Sextet's 2003 gig at the Skidmore Jazz Institute (a summer program that counts Scott as an alumnus), so Scott filled in, and acquitted himself admirably. When Terence Blanchard's Flow tour came to Albany in ...

431

Article: Album Review

Brad Mehldau: Marian McPartland's Piano Jazz with Brad Mehldau

Read "Marian McPartland's Piano Jazz with Brad Mehldau" reviewed by Ken Dryden


Brad Mehldau's 1996 appearance on Marian McPartland's Piano Jazz is a typically enjoyable program in this long running NPR series, featuring the then up-and-coming pianist playing at the top of his game and engaging in enlightening conversation with his host about his interests and influences. Yet another musician who initially began classical studies but gravitated to ...

631

Article: Live From New York

June 2007

Read "June 2007" reviewed by AAJ Staff


Laura Andel at The Kitchen Laura Andel works in mostly composed pieces for large ensembles and so the opportunities to hear her work are rare. But following notable recordings and performances of her SomnabUlisT and In::tension: over the last few years, her new Doble Mano for nonet was a major statement from the young composer. The ...

100

Article: Album Review

Mark Soskin: One Hopeful Day

Read "One Hopeful Day" reviewed by Chris May


Without belittling the contributions of its leader, pianist Mark Soskin, One Hopeful Day is an album dominated by the presence of saxophonist Chris Potter. It's a substantial addition to Potter's discography, and--following his most recent own-name release, the widely feted if perhaps overly mannered Underground (Sunnyside Records, 2006) with guitarist Wayne Krantz--a return to his classicist ...

237

Article: Album Review

Billy Bang Quintet featuring Frank Lowe: Above & Beyond: An Evening in Grand Rapids

Read "Above & Beyond: An Evening in Grand Rapids" reviewed by Jeff Stockton


Few musicians in any category combine violinist Billy Bang's intrinsic understanding of his instrument's tradition with the adventurousness associated with the New York City loft scene of the 1970s and wrap it up in an inside-out style honed and refined over the course of a thirty-plus year career. For the last few years ...

241

Article: Album Review

Bill Charlap Trio: Live at the Village Vanguard

Read "Live at the Village Vanguard" reviewed by J Hunter


Bill Charlap is a tremendous player in concert. He leans into a solo like a sailor tacking into the wind during a Pacific gale; his hands can disappear into a blur, and they can touch the keys with a delicacy usually reserved for surgeons and safecrackers. Regardless of approach, the results are usually breathtaking, making Charlap's ...

482

Article: Album Review

Carl Allen & Rodney Whitaker: Get Ready

Read "Get Ready" reviewed by John Barron


Drummer Carl Allen and bassist Rodney Whitaker have a lot in common. They're both from the Midwest-- Allen's from Milwaukee, Whitaker's from Detroit. Both grew up in homes filled with the sounds of gospel and R&B, and for the last twenty years or so both have achieved high ranking as two of the most heavy swinging ...

984

Article: Interview

Kendrick Scott: Oracle for Good Music

Read "Kendrick Scott: Oracle for Good Music" reviewed by R.J. DeLuke


Kendrick Scott, at 26, is already one of the very finest drummers on the jazz scene, possessing an open mind, a beautiful feel for melody and tasty style that fits a myriad of situations. He's been working steady with major jazz artists since the day he graduated from Berklee College of Music in 1998. He's grateful ...


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