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Ivo Perelman Quartet: The Hour of the Star
by Glenn Astarita
With his newly formed quartet, Brazilian tenor sax titan and visual artist Ivo Perelman effectively synchronizes the freer aspects of improvisation with bop, and harmonious patterns. And the musicians' synergy offers an underlying constant within the copious slants and contrasts presented throughout. The musicians kick off the festivities with “A Tearful Tale, where pianist ...
Michel Camilo: Mano A Mano
by Larry Taylor
With Mano A Mano, Michel Camilo goes hands-to-hands in spirited exchange with conguero Giovanni Hidalgo, surely hearkening back to the pianist's Dominican/Afro-Cuban roots. This approach results in the great pianist tempering his style. His flamboyant virtuosity is mostly restrained; here, he is more subdued than bombastic. His playing, though, is just as effective, but in a ...
Aaron Goldberg / Guillermo Klein: Bienestan
by Mark F. Turner
Collaborations between two jazz pianists on the same recording are rare. Yet in the case of rising stars Aaron Goldberg and eclectic composer Guillermo Klein's Bienestan--whose title means “a place of well-being"--the collaboration works on many levels and translates into a rewarding experience.Their connection began at Berklee in the 1990s. Goldberg played piano in ...
Monty Alexander: Harlem-Kingston Express Live!
by David Rickert
Many jazz musicians have mined the music of other cultures and countries for new ideas. Many of the most successful combinations have come from importing the music of warmer climates--Afro-Cuban and bossa nova to name but two. Monty Alexander has always done the reverse: a native of Jamaica who played straight-ahead jazz in the ...
Gerald Wilson Orchestra: Legacy
by Raul d'Gama Rose
The beauty of listening to an orchestra in fine form is like being treated to an oceanic swell of music that rises and falls, creating great harmonic waves of sound. This further regales the intellect with the swish of brushstrokes as the music changes in color, from sometimes thick, dark dripping shades, evoking brooding emotion to ...
Samuel Blaser: Consort in Motion
by Troy Collins
Initially defined by composer Gunther Schuller in the late 1950s as a synthesis of jazz improvisation and classical composition, the Third Stream movement has since drifted into relative obscurity. However, in the ensuing decades the milieu has provided fertile ground for a number of visionary artists to make bold statements. The increasingly commonplace role of conservatory ...
Aaron Goldberg and Guillermo Klein: Bienestan
by Raul d'Gama Rose
There might actually have been a universe called “Bienestan" and it may have existed for as long as Guillermo Klein. The rich sonic topography of this undiscovered place is just emerging. It is a place of oceans of sound, with energetic waves that make their rhythmic way to lap upon a shore that glistens with all ...
Pear: Extemp'ore
by David Rickert
Most jazz albums involve at least a little bit of preparation: song selection, rehearsals, selection of sidemen and so on. Pear, on the other hand, is after something much more spontaneous and pure on its debut, Extemp'ore. The group is comprised of percussionist Rick Milne and keyboardist Nick Pierone. They enter the studio and play whatever ...
Gretchen Parlato: The Lost and Found
by C. Michael Bailey
Gretchen Parlato is emerging as the most important jazz singer since Cassandra Wilson. Her vocal approach is so unique and her repertoire so eclectic that she stands to create a jazz vocal genre unto herself. After placing first in the 2004 Thelonious Monk International Jazz Vocals Competition, Parlato released her eponymous debut, self-produced, in 2005. Warmly ...
Brainkiller: The Infiltration
by Mark F. Turner
With a name like Brainkiller, it's easy to imagine a punk band thrashing the noise to a frenzied crowd of head-bangers. While the idea is not entirely a stretch in terms of The Infiltration's energy, there are clear differences: first, instead of the usual guitar or piano-led ensemble, there's an uncommon trio of trombone, keys, and ...
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