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Gary Burton Quartet: New York, NY, September 21, 2011
by Dan Bilawsky
Gary Burton QuartetBlue NoteNew York, NYSeptember, 21, 2011 Lionel Hampton carved out a place for the vibraphone in a swing setting, and Milt Jackson brought the instrument into bop, but Gary Burton remains the guru and guiding light in virtually every other aspect for vibraphonists and fans the world over. ...
Stanley Jordan: Friends
by David Rickert
Stanley Jordan's breakthrough recording, Magic Touch (Blue Note, 1985), was aptly named; the guitarist's two-handed tapping technique seemed to be achieved through sorcery rather than practice. People had used tapping before, but never to the level that Jordan did--comping and soloing at the same time, and giving the illusions of two guitarists playing at once. Those ...
Christian McBride Big Band: The Good Feeling
by Dan Bilawsky
The Good Feeling marks the debut of the Christian McBride Big Band, but the seeds for this album were sown in the mid-'90s. Jazz at Lincoln Center commissioned McBride to write and arrange his first major big band work--"Bluesin' In Alphabet City"--in 1995, and that experience really sparked his interest in composing for large groups. Now, ...
Detroit Jazz Festival: Detroit, MI September 2-5, 2011
by Matt Marshall
32nd Annual Detroit Jazz FestivalDetroit, MISeptember 2-5, 2011 In its 32nd year, the Detroit Jazz Festival decided to drop “International" from its name, only to turn around and proclaim “We Bring You the World." An interesting distinction, but the festival's scope was covered, nonetheless. The celebration brought to Detroit not only artists and ...
Sean Jones: Progress and Passion
by R.J. DeLuke
Trumpeter Sean Jones is always moving forward, developing his sound and getting involved in jazz elbow-deep, believing in its richness and its importance as an American art form. He wants to make an impact and he's doing that, whether with the prodigious technique displayed in his solo projects and spots as a sideman, or as an ...
PDX Jazz Presents Ramsey Embick Trio @ Mission Theater - "In a Silent Way: The Music of Joe Zawinul"
Thursday, September 29th @ 8pm Consumer Friendly Pricing, All Seats $15 Limited Reserved Seats for PDX Jazz Members PDX Jazz, the presenting organization of the Portland Jazz Festival in partnership with the Mission Theater, along with The Crystal Hotel and our media sponsor KMHD Radio, is set to continue the PDX Jazz ...
Etienne Charles: Kaiso
by Dan Bilawsky
The names Aldwyn Roberts and Slinger Francisco might not ring a bell in jazz circles, but trumpeter Etienne Charles' Kaiso helps to rectify that issue. Charles pays tribute to these two giants of calypso music, better known respectively as Lord Kitchener and Mighty Sparrow, and explores the fusion of Caribbean music, Latin rhythms, the sounds of ...
Dominick Farinacci: Dawn Of Goodbye
by Dan Bilawsky
After recording seven CDs for release in Japan, Julliard-trained trumpeter Dominick Farinacci finally dove into the U.S. music market with Lovers, Tales & Dances (Koch 2009). While that album found some success, both commercially and artistically, it might not have presented a true picture of Farinacci's artistry and personality. The participation of an all-star cast, an ...
Ralph Peterson's Unity Project: Outer Reaches
by John Kelman
To build the kind of staying power that keeps fans coming back for more, you've got to have consistency. In a jazz world where artists are expected to be self-reliant when it comes to promotion, dropping out for more than half a decade can have some serious implications. Emerging loudly as part of 1980s young lion ...
Freddie Hubbard: Pinnacle
by Dan Bilawsky
Pinnacle is a testament to the trumpet prowess of the one and only Freddie Hubbard, but it's also a salute to the San Francisco-based jazz club that played host to Hubbard on numerous occasions. Todd Barkan's Keystone Korner was ground zero for some of the best live jazz on the West Coast during its eleven-year lifespan, ...
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