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Pear: extemp’ore
by Mark Corroto
The improvising duo of Pear--keyboardist Nick Pierone and percussionist Rick Milne-- plays a fanciful game of six degrees of separation on extemp'ore. The opening “Dewey Miles" is a piece of cake, with the sampled voice of Miles Davis whispering “play what you hear" to some Betty, or maybe Jean-Pierre in the backseat. Pierone's piano ...
The New Gary Burton Quartet: Common Ground
by John Kelman
In a career now entering its sixth decade, vibraphonist Gary Burton has participated in plenty of one-off recordings, paying tribute to everyone from tango master Astor Piazzolla to mallet-men who have come before, like Lionel Hampton and Milt Jackson. His discography has been nothing if not unfailingly consistent--every recording meticulously conceived and flawlessly executed. A project, ...
Benny Green: Source
by C. Michael Bailey
Pianist Benny Green has not been in the studio leading a recording date since his collaboration with Russell Malone, Bluebird (Telarc, 2004). Far from stagnating, Green has most recently been found providing support on recordings like Hilary Kole's You Are There (Justin Time, 2010), Kenny Burrell's Be Yourself (HighNote , 2010) and Anat Cohen's Clarinetworks: Live ...
Jimmy Haslip: The Honest Endeavor of Making Music
by Ian Patterson
When electric bassist Jimmy Haslip joined pianist/keyboard player Russell Ferrante as a sideman on guitarist Robben Ford's recording sessions for The Inside Story (Elektra Records, 1979), he probably wouldn't have wagered much on his and Ferrante's musical partnership lasting 33 years to date, in one of jazz's most durable and best-loved ensembles, the Yellowjackets. Haslip is ...
Guitarist Julian Lage Paints Picture Of Imaginary Town On New Album - "Gladwell" - Released On Emarcy Records
Following his Grammy-nominated 2009 debut Sounding Point, virtuoso guitarist Julian Lage returns with the evocative and finely wrought Gladwell—the second effort by his offbeat, eclectic group with cellist Aristides Rivas, percussionist Tupac Mantilla, bassist Jorge Roeder and saxophonist Dan Blake. The album unfolds according to a fanciful and story-driven plan, as Lage explains: “We began playing ...
Animation: Asiento
by C. Michael Bailey
Jam bands Phish and Gov't Mule have been making a cottage industry of covering a famous LP for their respective Halloween concerts (the bands' “costumes," so to speak). In 2010, we were treated to Little Feat's Waiting for Columbus (Warner Brothers, 1978) and The Who's Who's Next (MCA, 1975), respectively. It is not ...
Monty Alexander: Uplift
by Dr. Judith Schlesinger
Virtually everyone who plays with pianist Monty Alexander loves the challenge of keeping up with his mischievous music-making and sudden changes in direction. Then there are those quotes--splashes of everything from bugle calls and nursery rhymes to Duke Ellington and “Meet the Flintstones"--that challenge the listeners' repertoire, as well as adding delight and surprise to each ...
Dado Moroni Trio: Dado Moroni Live in Beverly Hills
by Larry Taylor
Italian pianist/composer Dado Moroni is internationally respected for his driving piano style and improvisational skills. Now, in his Resonance debut, he comes up with complex trio arrangements, always swinging and intellectually stimulating. Moroni was born in 1962 and raised in Genoa, Italy, taking to music early, playing the family piano at three. Later, ...
Animation: Asiento
by Mark Corroto
1969 was perhaps a watershed year for jazz in America. Trumpeter Miles Davis, the anointed pied piper, recorded Bitches Brew (Columbia, 1970). It was to be the beginning of jazz/rock fusion. Maybe better described as jazz/rock/soul/funk fusion. Miles wasn't one to miss out on trends. He saw the popularity of Jimi Hendrix and Sly Stone, with ...
Yellowjackets: Timeline
by Mark F. Turner
To have worked thirty years in the business is exceptional for any band, especially in jazz. But since 1981, pianist/keyboardist Russell Ferrante and bassist Jimmy Haslip have maintained the award-winning Yellowjackets--from that year's eponymous Warner Bros. debut, with its infectious blend of fusion and funk, featuring guitarist Robben Ford, and the incorporation of jazz and strings ...
