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Ahmad Jamal: Blue Moon
by Larry Taylor
In 1958 Pianist Ahmad Jamal burst on the scene with At the Pershing: But Not for Me (Argo Records), which contained the runaway hit Poinciana." The song's impact was such that it remains Jamal's signature tune to this day. As sometimes comes with popular success, some jazz critics pulled back, but his championing by other musicians, ...
Monty Alexander's '76 Montreux Trio: New York, NY, February 27, 2012
by Dan Bilawsky
Monty Alexander's '76 Montreux TrioBlue NoteNew York, NYFebruary 27, 2012At seventeen years of age, pianist Monty Alexander was plucked from obscurity when Frank Sinatra and his club owner buddy Jilly Rizzo heard him play. The Jamaican-born piano phenom was immediately brought into the big time, performing for and with some of ...
Wes Montgomery: Echoes of Indiana Avenue
by Dan Bilawsky
In the mid-twentieth century, Indianapolis was an incubator for jazz talent. Trombonist J.J. Johnson, trumpeter Freddie Hubbard and guitarist Wes Montgomery all began their individual ascents to stardom from the heart of Hoosier country. While the first two artists had long careers, Montgomery wasn't so lucky. This self-taught genius, who burst onto the national scene in ...
Kathy Kosins: To the Ladies of Cool
by Larry Taylor
Singers June Christy, Chris Connor, Anita O'Day and Julie London were prominent in the 1940s and '50s. Christy, O'Day and Connor all spent time with Stan Kenton's band, while the sultry London became a pinup as well as a big record seller. Popular with both jazz and pop fans, these singers could regularly be heard on ...
Ivo Perelman / Joe Morris / Gerald Cleaver: Family Ties
by Troy Collins
Family Ties is São Paulo-born saxophonist Ivo Perelman's sixteenth release for Leo Records and the sixth named after one of Brazilian novelist Clarice Lispector's intense psychological works of fiction. Each of the record's six pieces is similarly titled after a short story from the aforementioned collection, yet the album's designation offers a broader, more salient interpretation ...
Ivo Perelman / Joe Morris / Gerald Cleaver: Family Ties
by Mark Corroto
Her boyfriend might have left Janis Joplin with nothing, as she asserts in her classic version of Kris Kristofferson's Me and Bobby McGee," but Ivo Perelman refutes Joplin's claim that freedom's just another word for nothin' left to lose" on Family Ties.The Brazilian saxophonist has returned to recording with a deluge of releases, this ...
Wes Montgomery: Echoes of Indiana Avenue
by Raul d'Gama Rose
Not since the discovery of the Voice of America tapes of the 1957 Carnegie Hall concert by Thelonious Monk and John Coltrane has there been an event as exciting as the surfacing of this rare first recording by guitar-maestro Wes Montgomery. The Echoes of Indiana Avenue masters, procured by Montgomery fan Jim Greeninger, were offered to ...
Jack DeJohnette: Sound Travels
by Eugene Holley, Jr.
Drummer/pianist/composer/bandleader Jack DeJohnette turns seventy this year, and his longevity on the scene is only eclipsed by the astonishing variety of settings in which he's worked. Since emerging from his hometown Chicago, the ubiquitous drummer has played with important artists including saxophonist Charles Lloyd, trumpeter Miles Davis and pianists Bill Evans and Keith Jarrett (with whom ...
Jack DeJohnette: Sound Travels
by Dan Bilawsky
With 2012 barely underway, it looks like it's going to be a year to remember for drum legend Jack DeJohnette. The renowned rhythmic force behind classic recordings from Miles Davis, Charles Lloyd, Keith Jarrett--and numerous notable projects of his own--will receive some well-deserved recognition when he's inducted into the National Endowment for the Arts' Jazz Master ...
Jack DeJohnette: Sound Travels
by John Kelman
Turning 70 and being awarded a National Endowment for the Arts Jazz Masters Fellowship would be enough to make 2012 a special year for Jack DeJohnette, but Sound Travels transcends mere celebration of the veteran drummer/pianist/bandleader's broad swath of accomplishments since emerging, in the mid-1960s, with saxophonist Charles Lloyd's massively successful quartet. His ...




