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Nir Felder: Golden Age
by Mark F. Turner
There were a few strong reactions when Nir Felder was donned “The Next Big Jazz Guitarist" in a 2010 NPR article. The in-demand New York based musician is seemingly unfazed by the headline and continues grinding out a stream of constant gigs and sessions associated with the likes of Greg Osby, Terri Lyne Carrington, and more ...
Danilo Perez: Panama 500
by Victor L. Schermer
Danilo Perez is one of our finest contemporary jazz pianists and educators. Most recently, he has recorded and toured extensively with the ground-breaking Wayne Shorter Quartet. Residing in the Boston area, Perez maintains close ties with his native Panama and has initiated jazz education and festival programs there. In this album, devoted to his cultural origins, ...
Catherine Russell: Bring It Back
by C. Michael Bailey
New York City vocalist Catherine Russell is the brilliant eutection of two bright tones. Her father, the late Luis Russell, collaborated with Louis Armstrong as his bandleader and arranger. Russell's mother was the inestimable Carline Ray who concluded her seven decade career with her debut as a leader Vocal Sides (Self Produced, 2013) before passing away ...
Dhafer Youssef: Birds Requiem
by Glenn Astarita
Tunisian oud maestro Dhafer Youssef imparts a holistic world music vista, encompassing jazz, rock and spiritual inclinations while retaining the core Arabic modalities on the aurally picturesque Birds Requiem. And his chant-like, resonating vocals entwine mystical attributes with near-flawless control amid passages that induce an impression of sacred exchanges with a higher entity. Blending ...
Jeff Ballard Trio: Time's Tales
by Dan Bilawsky
Drummer Jeff Ballard sure knows how to pick his playmates. In drafting one-of-a-kind guitarist Lionel Loueke and the focused-yet-irrepressible Miguel Zenon on saxophone, Ballard managed to create the most exciting trio to emerge in recent memory. While this album is Ballard's long-awaited leader debut, it's more tempting to dub it a leaderless or ...
James Brandon Lewis: Divine Travels
by Mark Corroto
An auspicious major label debut for a young saxophonist, Divine Travels eschews flamboyance for a deferential, mostly unpretentious bluesy free jazz recording. Lewis, a thirty-something tenor saxophone phenom chose to record here in trio without the safety net of a pianist or accompanying horn. He chose wisely though, enlisting two superstars musicians, bassist William ...
Mosaic Records: Making Jazz History
by Bob Kenselaar
No one is more astonished by the longevity of Mosaic Records than Michael Cuscuna, the veteran record producer and one-time disc jockey who founded the label together with Charlie Lourie, a former clarinetist who worked in both jazz and classical contexts before becoming an executive at CBS records, Blue Note, and elsewhere. Arguably the premier reissue ...
Dave Bennett: Don't Be That Way
by Dan Bilawsky
Clarinetist Dave Bennett's Don't Be That Way is a throwback album, but it's not a carbon copy of what's come before. Bennett certainly finds inspiration in the work of past masters, driving down the highways and byways that have been paved by Benny Goodman, Artie Shaw, Woody Herman and others, but he's willing to look at ...
Harold Lopez-Nussa: New Day
by C. Michael Bailey
Havana-native pianist/composer Harold López-Nussa is not an unknown entity. He has released five recordings previous to the present New Day and all before 30 years of age. His is a an assertive Latin Jazz infused with the essence of Western Europe. His training includes the Manuel Saumell and Amadeo Roldán Conservatories, graduating with a specialty in ...
Gretchen Parlato: Live in NYC
by Dr. Judith Schlesinger
In the ever-growing crowd of jazz vocalists, Gretchen Parlato increasingly stands out for her unique sound and musicality. She has been criticized by those who think she should sing “bigger," move around more, and open her eyes when she performs. But she has held to her own meditative style, which includes encouraging her bands to have ...
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