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The Caribbean Tinge: Live from Dizzy's Club Coca-Cola

by Steve Bryant
Ever since the jazz was created in the clubs and dancehalls of New Orleans, there was always a significant influence from the Caribbean region, specifically from Cuba. The island, which was just a ferry ride from the port city, had such a significant effect on the development of the music that Jelly Roll Morton always spoke ...
AA.VV.: Salsa de la bahia

by Angelo Leonardi
La musica di questo strepitoso doppio album è il soundtrack del documentario The Last Mambo di Rita Hargraves, uscito da poco. Consulente artistico della regista è stato Wayne Wallace, trombonista, arrangiatore e figura centrale sulla scena latina in California. Quando si parla della relazione tra jazz e musiche latine il pensiero va immediatamente alla ...
Roberto Magris Septet: Morgan Rewind: A Tribute To Lee Morgan Vol. 2

by Dan McClenaghan
Italian-born pianist Roberto Magris gets deep into the music of his influences. He recorded two volumes of the music written by or associated with the somewhat overlooked bop pianist Elmo Hope, and in 2011 he released Morgan Rewind: A Tribute to Lee Morgan, Vol. 1 (JMood Records) , an exuberant nod to the hard bop trumpeter ...
Pete Douglas, Founder of Half Moon Bay’s Bach Dancing & Dynamite Society Dies at 85

Legendary Impresario was Inspiration to Local and National Musicians, and Presenters Half Moon Bay, CA: Pete Douglas, founder of the world-renowned music and jazz club, the Bach Dancing & Dynamite Society in Half Moon Bay, Calif., died peacefully in Miramar Beach on July 12, 2014 at age 85. Pete Douglas was born in Waukegan, Illinois, in ...
The Jazz Messengers at the Café Bohemia, Volumes 1 and 2 – Blue Note 1507 and 1508

by Marc Davis
Is it possible for a band to be both legendary and underrated? The Jazz Messengers at the Café Bohemia makes that case. Jazz fans know the Jazz Messengers is the definitive, go-to band for straight-ahead hard bop. Art Blakey was both master drummer and master talent scout--the man who co-founded and sustained the celebrated ...
J.J. Johnson: The Eminent Jay Jay Johnson, Volumes 1 and 2 – Blue Note 1505 and 1506

by Marc Davis
Think of jazz, and the trombone almost never comes to mind. Didn't used to be. In the beginning, every jazz band had a trombone. But that was the Dixieland era, and Dixieland bands aren't much in vogue anymore. (Unless you're a fan of HBO's Treme and you listen to Trombone Shorty. Sadly, not enough ...
Chubby Jackson: New York, 1949

In 1944, bebop was virtually ignored by the country's jazz fans—except those in New York, where the new style had first been recorded earlier that year. Viewed initially as unintelligible gibberish and way too fast for dancing, the new style was too complicated. Few musicians could play it authentically, since too few bebop recordings were on ...
NEA Jazz Masters 2015 Class
Initiated in 1982, the NEA Jazz Masters Fellowship is the nation’s highest honor given to those who have devoted their lives and careers to jazz, an art form uniquely rooted in American history and culture. Described by The New York Times as a “rare public accolade for jazz”, the recipients represent a wide variety of musical ...
The Amazing Bud Powell, Volumes 1 and 2 – Blue Note 1503 and 1504

by Marc Davis
In the pantheon of bebop's Founding Fathers, there are three giants. Everyone knows Charlie Parker and Dizzy Gillespie. Everyone forgets Bud Powell. Like Bird and Diz, Powell could spit out notes faster than anyone before or since. Also like Bird and Diz, Powell sometimes fell in love with his own speed, so some recordings ...
Horace Silver: The Hard Bop Grandpop

by Marc Davis
With musicians, and artists generally, there's a tendency to think the best work is the earliest. It's usually true. Paul McCartney was never better than when he recorded with the Beatles. Chuck Berry's best work was the early hits like Johnny B. Goode" and Roll Over Beethoven." Tom Wolfe hasn't written anything as good ...