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George Coleman: In Baltimore
by Mike Jurkovic
At 85, tenor saxophonist George Coleman has sat in on and made his presence mightily known on a host of flat out, hard bopping sessions beginning with B.B. King through Max Roach, Miles Davis, Booker Little, Lee Morgan, Herbie Hancock and . . . well, you should have got the larger picture by now.
What, and Give Up Showbiz?
by Doug Hall
What, and Give Up Showbiz: Six Decades in the Music Business Fred Taylor (with Richard Vacca) 276 Pages 978-1493051847 Backbeat Books 2020 In his upcoming biography (December, 2020), What, and Give Up Showbiz?: Six Decades in the Music Business, Boston's late legendary and iconic music impresario Fred Taylor ...
Dafnis Prieto Sextet: Transparency
by John Chacona
In Cuban music, emotional grandeur and extravagant virtuosity is built on a foundation of inexhaustible rhythm. So, it's no surprise to find an abundance of juicy melodies and breathtaking drumming on Transparency from drummer and MacArthur Genius" Fellow Dafnis Prieto. Yet for all the astonishing things he does behind the kit, what stands out ...
Douglas Olsen: 2 Cents
by Jack Bowers
What seems at first blush to be a nonet on this splendid new album is actually trumpeter Douglas Olsen's core quartet, amplified on various selections by talented guests who raise the number anywhere from a quintet to an octet. Even though Olsen has been a super-busy free-lancer on the New England jazz scene for more than ...
Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water
by Chris May
A pioneer of global and modal jazz, the multi-instrumentalist and composer Yusef Lateef is only beginning to have his importance in the history of the music properly acknowledged. After languishing off-catalogue for decades, much of his output is being made available once more. A treasure trove of great jazz is out there waiting to be rediscovered. ...
Patrick Cornelius: From ECM to Acadia National Park
by Friedrich Kunzmann
With a persistently active live and equally dynamic release schedule in his back pocket, alto saxophonist Patrick Cornelius continues to push the boundaries of the straight-ahead approach to jazz into a more modern context. Since his first recording as a leader--2006's self-released Lucid Dream featuring a cast of fellow Berklee College of Music Students from the ...
Chad McCullough: Forward
by Dan McClenaghan
Since his excellent recording debut under his own name, 2009's Dark Wood, Dark Water (Origin Records), trumpeter Chad McCullough has co-led a handful of forward-leaning discs with Belgian pianist Bram Weijters and one with Slovakian pianist Michal Vanoucek, in addition his work as sideman and his contributions to a few leaderless ensemble sets. Forward is just ...
Ada Bird Wolfe, Jamieson Trotter: He & Me
by C. Michael Bailey
Ada Bird Wolfe's 2018 debut CD, Birdie (Self Produced), was one of the best recordings released that year. For Wolfe, music has been a lifetime love, even while in school and after, working in business, and writing full time. Wolfe has sojourned from the East to the West Coast, where she finally landed, set down roots ...
Diego Urcola Quartet: El Duelo
by Mark Sullivan
The cover of this album shows Diego Urcola (trumpet, flugelhorn) and Paquito D'Rivera (alto saxophone, clarinet) back-to-back, as if about to engage in the titular duel. But the sound is that of two veteran players jointly taking a leap into the unknown. A quartet without piano is an unusual setting for both of them. D'Rivera's liner ...
Celebrating Jazz Scorpios Nellie Lutcher and More
by Mary Foster Conklin
Today's broadcast celebrates many Jazz Scopios, with birthday shoutouts to Nellie Lutcher ("He's a Real Gone Guy, Hurry On Down"), Dizzy Gillespie, Fred Hersch, Dianne Reeves, Magos Herrera, Jimmy Heath, Freddy Cole, Anita O'Day and Fran Landesman ("Spring Can Really Hang You Up the Most," Ballad of the Sad Young Men"). Thanks for listening and please ...


