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Results for "Dizzy Gillespie"
A Different Drummer, Part 2: Royal Hartigan
by Karl Ackermann
Drums of Life--Drums of DeathThe ruins of the Anasazi people stand undisturbed in the cliffs between the high mesas and the canyon floors of the southwest. Dating to 2500 B.C., the multi-story adobe pueblos and stone cities were the sites of the ancient indigenous peoples of North America. Archeologists have uncovered an assortment of percussion instruments ...
Cecil Taylor: Mixed to Unit Structures Revisited
by Giuseppe Segala
La pubblicazione di Mixed To Unit Structures, nella meritevole collana Revisited Series della Ezz-thetics, sotto-etichetta della svizzera Hat Hut, riunisce due date di registrazione importanti nella vicenda di Cecil Taylor, distribuite tra l'ottobre 1961 e il maggio 1966. La prima, composta dai tre brani “Pots," “Bulbs" e “Mixed," era stata pubblicata dall'etichetta Impulse! nel disco Into ...
La Jazz Poetry di Jayne Cortez
by Maurizio Zerbo
Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connota—insieme al jazz stesso—l'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.
Seeing Jazz: The Photography of Luciano Rossetti
by Karl Ackermann
As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...
Meet BlueStem Jazz's Dave Stone & Thomas Ferrella
by Hrayr Attarian
Since 2016, and even through the pandemic of 2020, Madison Wisconsin has hosted a steady stream of improvisational music concerts. The majority of these are thanks to the organization named after Wisconsin's native grass, BlueStem Jazz. Founded by two retired professionals and melophiles this non-profit, award-winning establishment is dedicated to promoting and hosting a wide range ...
Lina Allemano Four: Vegetables
by Troy Dostert
Trumpeter Lina Allemano is one of those artists whose boundless creativity requires numerous outlets for its adequate expression. Her Ohrenschmaus trio is a hard-driving unit that possesses a tenacious energy but somehow leaves room for adventitious excursions. The group's Rats and Mice (Lumo Records) was one of 2020's most intriguing releases. She's also an intrepid innovator ...
La rivoluzione di Joe Harriott nel jazz britannico, tra guerra fredda e spy stories
by Angelo Leonardi
Subversion Through Jazz—The Birth of British Progressive Jazz in a Cold War Climate Matt Parker 286 pagine ISBN: #978-1-9163206-3-5 Jazz In Britain 2020 Nei primi anni sessanta è stato il sassofonista giamaicano Joe Harriott a condurre il jazz britannico nella sua fase adulta, sganciata dai modelli del New ...
Charlie Parker: Be Bop Live
by Mark Corroto
The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming ...
Guitar Gods & Goddesses: An Alternative Top Ten Albums
by Chris May
Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...
Nicola Conte: Good Juju From Italy’s Spiritual Jazz Shaman
by Chris May
Ever since his debut album, the acid-jazz masterpiece Jet Sounds (Schema), in 2000, the producer, composer, DJ and guitarist Nicola Conte has kept the jazz world guessing by constantly moving the goal posts. The trumpeter Miles Davis famously said, “I always gotta change. It's like a curse." But with Conte, it feels more like a blessing, ...
