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749

Article: What is Jazz?

The Story of Jazz Trumpet

Read "The Story of Jazz Trumpet" reviewed by AAJ Staff


The trumpet was the lead instrument in early jazz: it is the loudest solo instrument, the natural leader of a group of individuals, if you will. So, early trumpet pioneer Buddy Bolden (there is a photograph of him with a jazz band in 1894!) is most likely the first known jazzman simply because he was a ...

244

Article: Album Review

David Gibson: A Little Somethin'

Read "A Little Somethin'" reviewed by Woodrow Wilkins


To read or listen to some of the commentary about jazz and hear that this genre of music is dying; to read with cynicism that artists are either playing music that is 50 years old or they are playing something so “catchy" and “mainstream," that it is a “stretch of the imagination" to even call it ...

388

Article: Multiple Reviews

Dizzy Gillespie: I'm Beboppin Too & The Cool World

Read "Dizzy Gillespie: I'm Beboppin Too & The Cool World" reviewed by George Kanzler


Dizzy Gillespie All-Star Big BandI'm BeBoppin' Too Half Note2009 Dizzy GillespieThe Cool WorldPhilips-Verve2009 The legacy of Dizzy Gillespie's pioneering bebop big band could not be served better than by the ...

298

Article: Album Review

James Moody: 4A

Read "4A" reviewed by Graham L. Flanagan


In the late '40s, saxophonist/flutist James Moody staked his claim on the jazz landscape when he gained prominence as one of the key ingredients of Dizzy Gillespie's orchestra. Nearly six decades later, at the age of 84, Moody shows no signs of slowing down. He's in excellent form on his latest release 4A. ...

778

Article: Jazz Primer

Miles Davis: Unlimited Miles

Read "Miles Davis: Unlimited Miles" reviewed by Bill King


I can't think of an artist who has had greater influence over jazz the past forty years than Miles Davis. For music, style, language and business, Davis was at the top of the game. One to never step aside and let critics dissuade or impede his aspirations, he constantly retooled his band with the ...

221

Article: Album Review

Patrick Langham: Grown Up Listening

Read "Grown Up Listening" reviewed by Hrayr Attarian


Artists' early works generally channels the various influences and styles they have been exposed to during their development. What makes a debut unique is the way the different influences fuse and what the musicians can add to the mix themselves. Alto saxophonist Patrick Langham's Grown Up Listening is a perfect example. Langham is ...

271

News: Education

Stanford Jazz Workshop Video Clips

LEADING JAZZ EDUCATOR STANFORD JAZZ WORKSHOP DEBUTS WORKSHOP VIDEO CLIPS STANFORD, CA: Stanford Jazz Workshop (SJW), the jazz education non-profit founded in 1972 at Stanford University, has produced six educational video clips which have just gone live on its website, StanfordJazz.org. These videos, which were filmed at the Workshop’s flagship Jazz Camp & Jazz Residency summer ...

739

Article: Interview

Theo Croker: Ace of Trumps

Read "Theo Croker: Ace of Trumps" reviewed by Jenn Chan Lyman


If you've never seen Theo Croker before, he's a pretty easy one to spot. He's the one with the trumpet by his side at all times. The neat dreadlocks and mischievous glint in his eye are also dead giveaways. Having grown up in the U.S. in a musically oriented family, Croker was introduced to the world ...

262

News: Festival

Beantown Sings the Blues

Beantown Sings the Blues

By Timothy J. O'Keefe The Blues may have been spawned within the African-American communities of the Deep South in the late 19th century, but its influence still permeates our society today. While this music often acknowledges sadness, embraces loss, and speaks of impending dread, buried deep within its core you can sometimes find hope and resolve. ...

1,146

Article: Interview

Ornette Coleman: Music is a Verb

Read "Ornette Coleman: Music is a Verb" reviewed by Warren Allen


"Some people think of music as being on some higher level," Ornette Coleman says by phone from his apartment in New York City. “But basically it's the human being that receives the pleasure from sound. Not from the argument over what it is." There are a lot of questions about Ornette Coleman and ...


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