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The Story of Jazz Trumpet
by AAJ Staff
The trumpet was the lead instrument in early jazz: it is the loudest solo instrument, the natural leader of a group of individuals, if you will. So, early trumpet pioneer Buddy Bolden (there is a photograph of him with a jazz band in 1894!) is most likely the first known jazzman simply because he was a ...
David Gibson: A Little Somethin'
by Woodrow Wilkins
To read or listen to some of the commentary about jazz and hear that this genre of music is dying; to read with cynicism that artists are either playing music that is 50 years old or they are playing something so catchy" and mainstream," that it is a stretch of the imagination" to even call it ...
Dizzy Gillespie: I'm Beboppin Too & The Cool World
by George Kanzler
Dizzy Gillespie All-Star Big BandI'm BeBoppin' Too Half Note2009 Dizzy GillespieThe Cool WorldPhilips-Verve2009 The legacy of Dizzy Gillespie's pioneering bebop big band could not be served better than by the ...
James Moody: 4A
by Graham L. Flanagan
In the late '40s, saxophonist/flutist James Moody staked his claim on the jazz landscape when he gained prominence as one of the key ingredients of Dizzy Gillespie's orchestra. Nearly six decades later, at the age of 84, Moody shows no signs of slowing down. He's in excellent form on his latest release 4A. ...
Miles Davis: Unlimited Miles
by Bill King
I can't think of an artist who has had greater influence over jazz the past forty years than Miles Davis. For music, style, language and business, Davis was at the top of the game. One to never step aside and let critics dissuade or impede his aspirations, he constantly retooled his band with the ...
Patrick Langham: Grown Up Listening
by Hrayr Attarian
Artists' early works generally channels the various influences and styles they have been exposed to during their development. What makes a debut unique is the way the different influences fuse and what the musicians can add to the mix themselves. Alto saxophonist Patrick Langham's Grown Up Listening is a perfect example. Langham is ...
Stanford Jazz Workshop Video Clips
LEADING JAZZ EDUCATOR STANFORD JAZZ WORKSHOP DEBUTS WORKSHOP VIDEO CLIPS STANFORD, CA: Stanford Jazz Workshop (SJW), the jazz education non-profit founded in 1972 at Stanford University, has produced six educational video clips which have just gone live on its website, StanfordJazz.org. These videos, which were filmed at the Workshop’s flagship Jazz Camp & Jazz Residency summer ...
Theo Croker: Ace of Trumps
by Jenn Chan Lyman
If you've never seen Theo Croker before, he's a pretty easy one to spot. He's the one with the trumpet by his side at all times. The neat dreadlocks and mischievous glint in his eye are also dead giveaways. Having grown up in the U.S. in a musically oriented family, Croker was introduced to the world ...
Beantown Sings the Blues
By Timothy J. O'Keefe The Blues may have been spawned within the African-American communities of the Deep South in the late 19th century, but its influence still permeates our society today. While this music often acknowledges sadness, embraces loss, and speaks of impending dread, buried deep within its core you can sometimes find hope and resolve. ...
Ornette Coleman: Music is a Verb
by Warren Allen
"Some people think of music as being on some higher level," Ornette Coleman says by phone from his apartment in New York City. But basically it's the human being that receives the pleasure from sound. Not from the argument over what it is." There are a lot of questions about Ornette Coleman and ...





