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Take Five With Quintin Gerard W.
by AAJ Staff
Instrument(s):Saxophones, flute, keyboards. Teachers and/or influences? Earl Turbinton (teacher), Rick Margitza (teacher), Kenny Garrett (teacher), Dexter Gordon (influence), Miles Davis (influence).I knew I wanted to be a musician when... I first heard my older brother perform in the local high school marching band. He played clarinet and my ...
Mike DiRubbo: Repercussion
by C. Michael Bailey
The immediate appeal of alto saxophonist Mike DiRubbo's Repercussion is the replacement of the piano by the vibraphone as the rhythm section's harmony instrument. Guitar-based and piano-less rhythm sections have made their way into the mainstream, leaving the vibraphone-based rhythm section still a novelty. DiRubbo is certainly not the first to employ such a format. Trombonist ...
Baptiste Trotignon: Share
by Raul d'Gama Rose
At first blush, one thought and just one thought rattles around in the mind: “Can Bill Evans never rest in peace?" But then the music of “Samsara," the second track on the lovely Share wafts into the inner ear. With flugelhornist Tom Harrell and Mark Turner wailing on tenor saxophone, Share's main protagonist, Baptiste ...
The Sisterhood Of Saxophone Players: Sharel Cassity, Nancy Wright and Pattie Cossentino
by C. Michael Bailey
Once a novelty, women saxophone players have been claiming center stage in the last twenty years. Virginia Mayhew, Idit Shner, Clair Daly and Christine Jensen are among the most notable artists in this sisterhood. Add to this list three more names to consider. Sharel CassityJust for YouDW Records2009 Sharel Cassity ...
Montreal Jazz Festival: Days 4-6, July 4-6, 2009
by John Kelman
Days 1-3 | Days 4-6 | Days 7-9 Joshua Redman By Invitation Day 1 / Brian Blade and the Fellowship Band Joshua Redman By Invitation Day 2 / Kenny Werner QuintetJeff Beck / Anat CohenFestival International de Jazz de Montreal Montreal, Quebec, Canada July 4-6 2009
Enzo Favata Tentetto: The New Village
by Mark Corroto
The ancient and the modern is the theme of composer/saxophonist Enzo Favata's The New Village. Together with his Tentetto, he fuses traditional vocals from Sardinia, his home, with the American jazz lexicon. Unlike the cultural larceny of Paul Simon's Graceland (Warner, 1986), Favata's music coalesces into an ingenuous expression of music. The saxophonist has ...
Cory Weeds: Everything's Coming Up Weeds
by Raul d'Gama Rose
Everything's Coming Up Weeds, the 50th release from the Cellar Live stable, is a stellar recording featuring an extraordinary quintet. At first blush, it recalls the energy and fervor of wonderful Benny Golson bands and, if the memory can be stretched a wee bit further, also some memorable sessions of The Jazztet--or even a Jazz Messengers ...
Chris Potter: Way Above Ground with Underground
by R.J. DeLuke
Saxophonist Chris Potter, at age 38, has long been fast-tracked to the head of his class to become regarded as one of the strongest players on the scene. It doesn't seem that long ago that he was first making waves on recordings, and then became part of the superb Dave Holland quintet, where his strengths were ...
Carsten Dahl / Mads Vinding / Alex Riel: In Our Own Sweet Way
by Chris Mosey
After Paris, Copenhagen was the European refuge for American jazz musicians fleeing racial and sometimes political oppression in their homeland in the postwar years. Ben Webster is buried there (in the same cemetery as Søren Kierkegaard), Dexter Gordon and Johnny Griffin locked horns there. Such greats created a solid local scene, which continues to produce some ...
Deborah Brown: Jazz Diva Extraordinaire
by Victor L. Schermer
Deborah Brown is one of the finest jazz vocalists in the business, a “singer's singer" with a magnificent voice and mind-boggling technique. Vocalist J.D. Walter mentioned her as an inspirational teacher and mentor in a recent AAJ interview but, despite being very possibly one of the greatest jazz singers of all time, due to her own ...
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