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Charles Mingus: Jazz In Detroit / Strata Concert Gallery / 46 Selden
by Karl Ackermann
With previously unreleased material from Dexter Gordon, Thelonious Monk, John Coltrane, and now, Charles Mingus, it may feel in 2018 like we are living fifty years in the past. Jazz In Detroit / Strata Concert Gallery / 46 Selden captures a short-lived quintet that--given time--could have been Mingus' best. Drummer Roy Brooks and trumpeter Joe Gardner ...
Francisco Mela: Ancestros
by Karl Ackermann
One of the many fine musicians coming out of Cuba, Francisco Mela is an accomplished drummer/percussionist and composer. On Ancestros, his debut on the vinyl-only subscription label Newvelle, he has contributed seven original compositions to a collection that includes covers from Andrew Hill and Paul Motian. The album name--and its title track--are appropriated from Mela's prior ...
Jay Thomas: We Always Knew
by Paul Rauch
Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...
Dexter Gordon: Live, '63 + '77
In 1962, tenor saxophonist Dexter Gordon moved his base of operations to Copenhagen, Denmark, returning to the U.S. in 1976. Shortly after his move abroad, Gordon was recorded live at the Modern Jazz Club Persepolis in Utrecht, the Netherlands, on January 20, 1963. And shortly after his move back to the States, he was recorded at ...
Dexter Gordon Quartet: Espace Cardin 1977
by Karl Ackermann
Dexter Gordon left us almost three decades ago, but his presence in 2018 has virtually brought him back to center stage. The release of his biography Sophisticated Giant: The Life and Legacy of Dexter Gordon (University of California Press) by his wife Maxine Gordon, and the previously unreleased Dexter Gordon Quartet Tokyo 1975 (Elemental Music) have ...
Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1
by Karl Ackermann
Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...
George Cables: My Muse
by Peter J. Hoetjes
When an artist records music less than two years after losing his wife of nearly three decades to pancreatic cancer, it is generally assumed that the resulting album will have an overall melancholic, funereal sound. This is not the case however, for pianist George Cables. My Muse is less an elegy for love, and more of ...
Doug Webb: Fast Friends
by Mark Corroto
There is nothing as soul cleansing as bebop. Period. When you couple the music with the sunshine of Los Angeles (OK, when the smog has cleared) there is a medicinal, tonic effect to be had. Enter L.A. session saxophonist Doug Webb, a contributor to film and television, and member of big bands led by Bill Holman, ...
From Newk To Tatum, Trane And Wayne
by Marc Cohn
We kick off this week with a question from singer Teri Roiger, answered by John Coltrane (on the newly discovered Both Directions at Once sessions with the classic quartet). This week we also begin our Sonny Rollins celebration with tracks by singer Babs Gonzales from 1949, when Newk was a mere 19-year-old. And have ...
Various Artists: Nicola Conte presents Cosmic Forest: The Spiritual Sounds of MPS
by Chris May
The description “spiritual jazz" means different things to different people. It was first applied to the predominantly African American style platformed by the Strata-East and Muse labels in the early and mid 1970s. The tag was not introduced until a decade later, and a better one would have been “cultural jazz," despite the tautology--for although every ...
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