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Results for "Dewey Redman"
Keith Jarrett: Trio, Solo & Duo
by Ken Dryden
Keith JarrettStandards in Sweden I & IIBlue Music Group2010 Keith JarrettParis/London: TestamentECM2009 Keith JarrettJasmineECM2010 Though one of the most lyrically gifted pianists of his generation, ...
Chad Eby: Broken Shadows
by Raul d'Gama Rose
On Broken Shadows his wonderful second album, Chad Eby doffs his proverbial hat to the magnificent American music that came before him and in doing so, puts it in the current context. He also goes a step further, adding not only his own vocal-style interpretations of music from Duke Ellington, Charles Mingus, Thad Jones, Ornette Coleman ...
Salvatore Bonafede Trio: Sicilian Opening
by Raul d'Gama Rose
Sicilian Opening from Salvatore Bonafede is a wonderful album. It offers ample reason why Bonafede has been in demand by musicians as diverse as Ralph Towner, Enrico Rava, Dewey Redman, and Lester Bowie. The Italian pianist is an extremely gifted and melodic composer. His songs are utterly fascinating and memorable. They can flutter and soar, like ...
Roberto Magris and The Europlane Orchestra: Current Views
by Jack Bowers
Although barely known here in the States, Italian composer/arranger/pianist Roberto Magris has been making a name for himself in Europe with a number of rewarding enterprises, among which is his Europlane Orchestra, formed in 1998 to embrace musicians from throughout central Europe. On Current Views, Magris's seventh recording for Soul Note Records, the sidemen hail from ...
Salvatore Bonafede Trio: Sicilian Opening
by Dan McClenaghan
Hailing originally from Sicily, pianist Salvatore Bonafede earned a scholarship to Boston's Berklee School of Music in 1986. A 1989 move to New York saw him playing with the Vanguard Jazz Orchestra, Dewey Redman, Joshua Redman, Lew Tabackin and Joe Lovano. Bonafede moved back to Sicily in 1994, where he has worked with many jazz luminaries, ...
Chad Eby: Broken Shadows
by Mark Corroto
Attention grabbing music these days is either accomplished by the loudest voice (American Idol anybody?) or the rudest performance. While not saying jazz has descended to that level, certainly the squeakiest wheel often gets the most attention. Then again, hearing a genuine voice like saxophonist Chad Eby reaffirms the instinct that an authoritative performance from a ...
Duology + 2 at the London Jazz Festival
by John Sharpe
Duology + 2 Cafe OtoLondonNovember, 13, 2009 The opening night of the London Jazz Festival provided a rare opportunity to hear clarinetist Michael Marcus and trumpeter Ted Daniel--two seasoned, but unsung denizens of the New York scene--in the intimate surroundings of Dalston's Cafe Oto. Marcus made his debut with ...
John Butcher & Mark Sanders / Alex Ward & Roger Turner / John Tchicai & Tony Marsh: Treader Duos
by John Eyles
These three contrasting reeds/drums duos are a fine record of the concert at which they were recorded, in February 2008 at St Giles-in-the-Fields church, London. Each of the three tracks lasts about twenty five minutes, long enough for the duos to give a good account of themselves. The three tracks give an opportunity to hear some ...
Charles Tyler Ensemble: Charles Tyler Ensemble
by Jerry D'Souza
Charles Tyler was an innovative musician who could unfurl a maelstrom of ideas from just a spark. He played with fire and spirit, finding his muse in free jazz and filling his music with bold inventions. Tyler met Albert Ayler when he was 14. He later went on to play with Ayler, whose influence can be ...
Bobby Bradford: Self-Determination in the Great Basin
by Clifford Allen
Born in Cleveland, Mississippi in 1934 and raised between Dallas and Los Angeles, trumpeter Bobby Bradford began playing with Ornette Coleman in Los Angeles in the 1950s, and replaced Don Cherry in an unrecorded Coleman quartet during the early 1960s. However, the most significant partnership in Bradford's musical life was with the clarinetist and composer John ...
