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128

Article: Album Review

Joe McPhee's Bluette: Let Paul Robeson Sing

Read "Let Paul Robeson Sing" reviewed by Derek Taylor


The themes of cultural and spiritual emancipation as reflected through the African American experience have served as the bread and butter for the music of Joe McPhee’s Bluette since the ensemble’s origins. It seems only natural then that the group would chose to honor a figure who stands as exemplary of these too often curtailed ideals. ...

99

Article: Album Review

Jean-Luc Guionnet & Edward Perraud: Heur

Read "Heur" reviewed by Derek Taylor


An outcome of unexpected opportunity this duet arose out of a companion session at CIMP's Spirit Room for the Joe Rosenberg Quartet (see also on CIMP). Guionnet and Perraud, both visiting Frenchmen, capitalized on the generous offer posed by producer Bob Rusch and set about freely improvising for the better part of an hour. In their ...

199

Article: Album Review

Spaceways Incorporated: Version Soul

Read "Version Soul" reviewed by Derek Taylor


Something of an oddity in Ken Vandermark’s stable of projects Spaceways, Incorporated spent its infancy as a cover band mining the songbooks of Funkadelic and Sun Ra. The trio’s debut Thirteen Cosmic Standards built an entertaining and artistically-enhanced hour of music from these fraternal sources, but their sophomore sojourn in the studio suggested the need for ...

100

Article: Album Review

Peter Br: For Adolphe Sax

Read "For Adolphe Sax" reviewed by Derek Taylor


Contrary to its attendant acclaim, Peter Brötzmann's seminal Machine Gun was not the German's debut recording as a leader. That historic honor belongs to what many perhaps still consider a perverse homage to his principle instrument's inventor, also originally circulated on the FMP imprint. Both the Panzer intensity and stentorian belligerence are securely in place on ...

147

Article: Album Review

T.J. Graham & Rory Stuart: Standards & Insights

Read "Standards & Insights" reviewed by Derek Taylor


P>Creative improvised music remains a pursuit that largely doesn’t pay. It’s a reality that all musicians in the idiom must face and the necessity of a day job goes with the territory. In vocalist T.J. Graham’s case it’s college professor for financial sustenance and jazz improviser for creative release. Her debut on CIMP suggests significant facility ...

207

Article: Album Review

Burton Greene w/ Mark Dresser: Peace Beyond Conflict

Read "Peace Beyond Conflict" reviewed by Derek Taylor


Burton Greene ranks as one of the seasoned survivors in creative improvised music. Like a handful of his ESP peers he’s still at it after all these years, plugging away at his craft and creating chameleonic music along the way. A relatively recent development in winding artistic path is his fertile association with CIMP. Throptics, his ...

187

Article: Album Review

Jimmy Halperin/Bill Chattin/Don Messina: Cycle Logical

Read "Cycle Logical" reviewed by Derek Taylor


The Tristano School remains one of the most inexplicably under-utilized in modern jazz. Saddled unfairly with signifiers common to its more popular cousin the Cool school such as ‘overly-intellectual’ and ‘antiseptic,’ it’s a style commonly relegated to the fringes despite its undeniable influence on the music’s evolution. Endemic of these prejudices the number of surviving students ...

222

Article: Album Review

Jack McDuff: The Concert McDuff

Read "The Concert McDuff" reviewed by Derek Taylor


Despite the drab classicism its title might imply this disc delivers a set of music that’s a distant departure from run-of-the-mill repertory .pap. Jack McDuff might’ve been given the moniker of Hardest “Working Man on the Touring Circuit” if a certain Detroit Soul Man hadn’t donned it first. He was certainly deserving given the grueling touring ...

200

Article: Album Review

School Days: In Our Times

Read "In Our Times" reviewed by Derek Taylor


While their name may be borrowed, School Days affects a musical persona far from derivative. The Lacy-Rudd project of yore may have been the impetus, but this trans-Atlantic ensemble is every bit its own entity. On their follow-up to last year’s Crossing Division the group, ostensibly helmed (and financed) by KenVandermark, rolls out another supply of ...

140

Article: Album Review

DKV Trio: Trigonometry

Read "Trigonometry" reviewed by Derek Taylor


‘Free jazz’- a signifier both lionized and demonized depending on the audience and the inclination. Its exact definitions are as protean as the tides but in the grand tradition of giving personage to the abstract few better archetypes exist than the DKV Trio. Ostensibly fronted by Ken Vandermark, a transplanted Bostonian whose Chicago roots now run ...


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