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Levin Brothers: Levin Brothers
by John Kelman
He may have ultimately become best-known in the progressive rock world for his ongoing work with King Crimson, Peter Gabriel, Stick Men and the Crimson ProjeKct, but 68 year-old bassist and stick player Tony Levin has no shortage of jazz credentials, playing with everyone from Gary Burton and Mike Mainieri to Chuck Mangione and Buddy Rich ...
Matte Henderson with Marco Minnemann: The Veneer Of Logic
by Glenn Astarita
Guitarist, composer and futurist Matte Henderson is a former student of iconic progressive rock guitarist and founding father of King Crimson, Robert Fripp. He integrates some classic prog fundamentals such as odd-metered crunch chord voicings and wily rhythmic episodes, abetted by his collaborator and all-universe drummer Marco Minnemann. But Henderson spices up the program with muted ...
Levin Minnemann Rudess: Levin Minnemann Rudess
by John Kelman
For a first crack at a fresh idea for Lazy Bones Records--three well-known musicians brought together to create improv-based music with a minimum of planning--Levin Torn White (2011) was a set that, beyond finding common ground amongst bassist/stick master Tony Levin, guitar sound sculptor David Torn and drummer Alan White, also proved, unequivocally, that White is ...
Tim Berne's Snakeoil: Shadow Man
by Troy Collins
New York-based alto saxophonist Tim Berne has long been regarded one of the Downtown scene's most forward-thinking bandleaders. Among his peers, no other artist has so often fostered the creative talent of subsequent generations; multi-instrumentalist Chris Speed, keyboardist Craig Taborn and drummer Jim Black all spent their formative years playing alongside the veteran saxophonist. Likewise, Berne ...
Tim Berne's Snakeoil: Shadow Man
by John Kelman
When Tim Berne released his ECM debut, Snakeoil in 2012, it quickly garnered some of the best reviews of the saxophonist/composer's career, ending up on a number of year-end best of lists. And why not? With a group already together for a couple years (as Los Totopos), Snakeoil represented a major step forward for Berne, both ...
Ray Russell: Playing with Time
by Ian Patterson
Each time guitarist/composer Ray Russell releases a new album, it feels like a comeback. Now, More than Ever, Russell's debut on the Abstract Logix label, comes seven years after Goodbye Svengali (Cuneiform Records, 2006), his heartfelt tribute to composer Gil Evans. Although Russell may drop off the radar for periods of time, he's never really far ...
GuitarNow! 2013, Day Two: Ottawa, Canada, May 4, 2013
by John Kelman
First Annual GuitarNow! Festival, Day TwoKailash Mital TheatreCarleton UniversityOttawa, CanadaMay 4, 2013When local guitarist Roddy Ellias--the recipient, that very week, of one of the Jazz Journalist Association's Jazz Hero awards for 2013 (the only Canadian on the list)--created the concept of the first annual GuitarNow! Festival with Carleton University, ...
David Soler: Botánicas
by Enrique Turpin
Hay discos que nacen con la condición de outsiders. No sólo es que vayan a contracorriente, es que encuentran sentido en los márgenes. La periferia es su dominio y cobran sentido pleno cuando dejan descubrir su lateralidad. David Soler es el baricentro que equilibra las fuerzas, densidades y distancias del conjunto heterogéneo que es Botánicas. Un ...
Michael Formanek: Small Places
by John Kelman
It's no secret that pathological fans view every artist discovered as a new branch on an endlessly growing musical tree. It should come as no surprise, then, that labels--at least, those run by folks as pathological as the fans they hope to attract--operate with the same eye to discovery and expansion. ECM has, in its forty-plus ...
Jazz and Poetry: Impacted Gems
by Gordon Marshall
The poetry of the Beats, the New York school and the Black Mountain school, as well as the jazz poets, all share a particularly heavy rhythmic feel and an earthy, gritty imagery that creates a kind of syncopation within itself. The scenes dance and bump up against each other, cutting and rubbing up against the beat. ...
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