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Results for "David Sylvian"
Theo Travis: Open Air
by John Kelman
It's been a very busy decade for Theo Travis. The British reed/woodwind multi-instrumentalist has appeared, to varying degrees, on literally every album that Steven Wilson has released since turning to a solo career in 2009--from Insurgentes and 2011's Grace for Drowning (Kscope), through 2013's best-selling The Raven That Refused to Sing (And Other Stories), 2015's commercial ...
Tim Bowness: Lost in the Ghostlight
by John Kelman
It's a somewhat hidden truth that a sizeable percentage of any musician's fan base believes that the music their favorite artists make is a direct reflection of their tastes. While an artist's music ought, indeed, be a reflection of what moves them, it's another truth that, more often than not, their listening habits run much farther ...
Mark Isham: Blue Sun
by John Kelman
Mark IshamBlue SunColumbia Records1995 Better-known, perhaps, for his work in the film arena as scorer for movies including 1986's The Hitcher, the 1992 reboot of Of Mice and Men and 1998's Blade, Mark Isham has, nevertheless, demonstrated his instrumental prowess as a trumpeter on albums including pianist Art Lande's Rubisa Patrol ...
Sweet Billy Pilgrim: We Just Did What Happened and No One Came [2016 Kscope Remix/Remaster]
![Read "Sweet Billy Pilgrim: We Just Did What Happened and No One Came [2016 Kscope Remix/Remaster]" reviewed by John Kelman](https://s3.amazonaws.com/allaboutjazz/coverart/large/sweetbillypilgrim_wejustdidwhathappenedandnoonecame.jpg)
by John Kelman
Sweet Billy PilgrimWe Just Did What Happened and No One CameKscope Music2016 (2005) My how things have changed. Upon first encountering Britain's Sweet Billy Pilgrim at the 2007 Punkt Festival in Kristiansand, Norway, funding was so diminutive that singer/songwriter/guitarist/multi-instrumentalist/erstwhile leader Tim Elsenberg was unable to bring the full group; instead, he ...
Festival International de Jazz de Montreal 2016
by John Kelman
Festival International de Jazz de Montréal Montréal, Canada July 3-7, 2016 In many ways, the front of one of the festival's new T-Shirt designs said it all: swing blues soul improvisation latin gospel R 'n' B crossroads silence groove world ...
Tom Barton & Diego Villalta: Connections
by Phil Barnes
There's something other worldly about this collaboration between innovative jazz vocalist Tom Barton and guitarist/composer Diego Villalta. Recorded in Osaka and inspired by the duo's experiences touring Japan the collection is wholly improvised, showcasing a broad range and variety of styles yet remaining coherent enough to suggest it could only have been this way. Barton describes ...
THRAK BOX - Live and Studio Recordings 1994-1997
by John Kelman
After three years spent extensively focusing on its 1972-'74 lineup--documented over a massive 66 CDs, DVDs and Blu Rays (plus some additional downloads) on Larks' Tongues in Aspic (40th Anniversary Series Box) (Panegyric, 2012); The Road to Red (Panegyric, 2013); and Starless (Panegyric, 2014)--King Crimson turns the clock ahead 20 years to an almost completely different ...
Eivind Aarset: The Edge Between Intimacy and Courage
by Adriana Carcu
Guitarist and composer Eivind Aarset is one of the most imaginative exponents of the spirit of open diversity that defines and differentiates the Nordic Jazz soundscape. Coming along a progressive-rock line of influence enriched by a world music heritage and refined by electronics, his music emanates the radiant energy of an unfolding white lotus flower that ...
Roberto Ottaviano: su Lacy e non solo
by Libero Farnè
Il 4 giugno 2004 Steve Lacy moriva a Boston. Non mi pare che la comunità del jazz abbia celebrato adeguatamente il decennale. Eppure il grande compositore, sopranista, leader e pensatore americano, uno dei personaggi unici nella storia del jazz, non solo non può essere dimenticato, ma dovrebbe essere continuamente riscoperto e rianalizzato, in quanto potrebbe fornire ...
Jon Hassell: Fourth World Vol. 1: Possible Musics
by Nenad Georgievski
Some records can be easily identified and defined by the time and the place of their creation, but Jon Hassell's records appear to have a different and opposite effect. His record Possible Musics doesn't give the impression of coming from a certain place, but rather from many places. And this collage approach where he mixed and ...
