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MUSICIAN Born:

David Dvorin

Emmy-nominated composer, guitarist, author, and educator, David Dvorin has had his concert music performed in numerous new music and multimedia festivals around the United States and Europe. Versatile in both electronic and acoustic music mediums, he has written for and collaborated with such notable artists as Terry Riley, the California E.A.R. Unit and the Kronos Quartet. In addition to producing several CDs and DVDs of his compositional work, David is active as a performer on both guitar and electronics. Some of his current performance projects include leading the Space Age Jazz-inspired quartet, Flounder, his chamber-jazz duo, Pull-String with violinist Matej Seda, and the electro-acoustic duo, Zap! with multi-reeds player Randy McKean, all of which also serve as vehicles for David’s original compositions. Regarded internationally as an expert on Apple’s Logic Pro software, his textbook, Logic Pro X: Advanced Music Production, now in its fourth edition, has been adopted by educational institutions worldwide, and is the basis for Apple Computer’s certified training

Left Open

Label: Arabesque Jazz
Released: 2015

With(In)Communicado

Label: Pax Recordings
Released: 2000
Track listing: 1) With(In)communicado 2) Swelled Head 3) With(In)communicado # 2 4) Jesart (3 in 1) 5) With(In)communicado # 3 6) Beams and Struts 7) Rain 8) With(In)communicado # 4 9) One Step Forward, Two Steps Back 10) With(In)communicado 11) Calendar 12) Left Open 13) Petaling 14) With(In)communicado # 6

ARTICLE: ALBUM REVIEW

David Dvorin: With(In)Communicado

Read "With(In)Communicado" reviewed by Glenn Astarita

Along with folks such as Ernesto Diaz-Infante and a few others, guitarist/composer/educator David Dvorin is among the recent wave of Northern California-based – new music – artisans who often mold contemporary classical elements with folksy themes, free improvisation and digital electronics. And in his own words, Dvorin’s With(in)Communicado is inspired by notions that...”deals with the breaking ...


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