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Article: Interview

Mirna Bogdanović: L'arte del confronto

Read "Mirna Bogdanović: L'arte del confronto" reviewed by Serena Antinucci


Ci vuole una fervida immaginazione per raggiungere luoghi diversi stando fermi. È quello che accade ascoltando il disco d'esordio della giovane cantante sloveno-bosniaca, di base a Berlino, Mirna Bogdanović. La tradizione si apre verso direzioni contemporanee, più istintive, non resta ferma, si mostra accogliente ed è pronta a cambiare rotta senza preavviso, né regole. Confrontation da ...

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Article: Album Review

Joy On Fire: Hymn

Read "Hymn" reviewed by Gareth Thompson


The industrial anarchists Throbbing Gristle stood by their notion that noise and frequency could change states of consciousness. Listening to saxophonist Anna Meadors of Joy On Fire, with her pitch-shifting and time-stretching, might back this idea up. Certainly the audience enters many realms of awareness on the band's album Hymn . Even the cover artwork, a ...

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Article: Album Review

Steph Richards: Supersense

Read "Supersense" reviewed by Mike Jurkovic


With all the threatening weirdness and desperate surrealism that has become life in the USA, it makes absolute sense that Supersense, daring trumpeter/composer Steph Richards' third full length album, starts out like an encroaching invasion of ants, or microbes, or a disruptive, divisive, myopic political movement. As with such forward seeking rebels as Henry ...

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Article: Interview

Jon Hassell: Words with the Shaman

Read "Jon Hassell: Words with the Shaman" reviewed by Chris May


Jon Hassell is best known as the creator of Fourth World music, an acoustic-electronic blend of jazz, minimalism, drone, ambient, traditional African and Asian instruments and harmolodic signatures. Hassell has defined Fourth World as “serious music with transcultural appeal and a smile." He unveiled the concept on his debut album, Vernal Equinox (Lovely Records), in 1977. ...

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Article: Under the Radar

The Archive of Contemporary Music

Read "The Archive of Contemporary Music" reviewed by Karl Ackermann


In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...

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Article: Album Review

Bremer/McCoy: Utopia

Read "Utopia" reviewed by Jakob Baekgaard


Since they released their debut, Enhed (Raske Plader, 2013), Danish bassist Jonathan Bremer and pianist Morten McCoy have been quietly crafting their own sound, and their fourth album, Utopia, marks a new beginning for the duo simply billed as Bremer/McCoy. The difference this time is that David Byrne's renowned Luaka Bop label has ...

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Article: Album Review

Sensaround: Heart/Noise

Read "Heart/Noise" reviewed by Karl Ackermann


Sensaround is an electro-acoustic trio of Australian and Scottish lineage, co-led by the familiar names of Alister Spence and Raymond MacDonald and the less recognized Shoeb Ahmed. Heart/Noise is the group's third release following the 2014 Isotropes (hellosQuare recordings). The music defies categorization, combining--as the musicians describe it--"jazz ambience, ghostly dub, and post-punk experiments...." It is ...

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Article: Live Review

WOMAD 2018

Read "WOMAD 2018" reviewed by Martin Longley


WOMAD 2018 Charlton Park Malmesbury, England July 26-29, 2018 If festivals might have become bonded to female performer quotients (or not, depending on the individual festival), there is no potential negative effect when selected artists are of the high calibre presented at this year's WOMAD. Indeed, most of ...

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Article: Interview

Michael Leonhart: Surfing on an Orchestral Wave

Read "Michael Leonhart: Surfing on an Orchestral Wave" reviewed by Ludovico Granvassu


If one were to find an answer to the age-old “nature or nurture" debate, s/he would have to look no further than The Painted Lady Suite [Sunnyside Records]. Listening to the stunning debut album by the Michael Leonhart Orchestra makes it clear that major achievements are only possible when nature and nurture are well integrated and ...

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Article: In Pictures

New Orleans Jazz and Heritage Festival 2018

Read "New Orleans Jazz and Heritage Festival 2018" reviewed by Mark Robbins


Yes, Virginia, there is jazz at the New Orleans Jazz and Heritage Festival. From it's inception in 1970, George Wein, mastermind of the Newport Jazz Festival and the Newport Folk Festival, created a festival that was indigenous with New Orleans. Whether it was the music, food, arts and crafts everything was New Orleans. That first year ...


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