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Brad Mehldau: Your Mother Should Know: Brad Mehldau Plays The Beatles
by Mike Jurkovic
In the press release and liner notes, Brad Mehldau, a spiritual man who delves deeply into subjects that matter to him, talks a lot about the Fab Four's continued universality and to the strangeness of their originality and our assimilation of it. But he never really gets to the point as clearly, personally and succinctly as ...
Paul Marinaro: Not Quite Yet
by Pierre Giroux
Singer Paul Marinaro issued his acclaimed debut album Without A Song (122 Myrtle Records) in 2013. Seven years after the release of his follow-up, “One Night In Chicago" (122 Myrtle Records), and with almost a decade of performing from coast to coast at top-end clubs, including New York's Birdland, he has released Not Quite Yet, which ...
Beyond Classical: Divine Hand Explores “Aria 51”
by Chris M. Slawecki
In the early 1920s, musician and physicist Lev Terman invented an electronic proximity alarm, which shrieked louder and higher noise when something (or someone) moved closer to its antenna, as a motion detector for the Russian penal system. A concert cellist and physicist, Terman (Leon Theremin) realized that intervals of that sliding sound theoretically corresponded to ...
Brian Eno: Foreverandevermore
by Scott Gudell
The shiny silver disc of Brian Eno's CD is encased in a simple outer shell of cardboard, accompanied by an equally unassuming booklet with over a half-dozen spherical images. In all probability, this modest packaging and those spheres, many supported by skeletal broadcast tower-like shafts, is a cryptic puzzle being used by Eno to help him ...
Stomu Yamash'ta: Seasons: The Island Albums (1972-1976)
by Maurizio Comandini
Stomu Yamash'ta è un celebre percussionista giapponese, nato a Kyoto, in Giappone nel 1947. Figlio del direttore della Filarmonica di Kyoto, ha studiato musica all'Università di Kyoto e al Berklee College of Music. Ancora giovanissimo venne notato dal grande direttore d'orchestra Seiji Ozawa e si mise in evidenza come performer di assoluto valore in contesti legati ...
Krantz / Carlock / Lefebvre: Touching The Stars
by Mike Jacobs
Guitarist Wayne Krantz has had a long, interesting and (some would say) iconic career. Along the way, he has reshaped his own style, delved heavily into the compositional and improvisational ends of the spectrum (often blurring the lines between them), and built a catalog that redefined what is possible both on his instrument and as a ...
Elan Mehler: There Is A Dance
by Patrick Burnette
David Bowie's album The Rise And Fall of Ziggy Stardust And The Spiders From Mars (RCA, 1972) includes instructions on the back: “To Be Played At Maximum Volume." Had pianist Elan Mehler's new trio effort, There is a Dance, followed suit, the slogan would be something like “To Be Played Only on Rainy Afternoons." There is ...
Exposures
by John Kelman
Between the impact of the COVID pandemic since 2020, and in the eight year-long tenure of King Crimson's final lineup, which toured between 2014 and 2021, there's been a lot revealed about its sole remaining founding member, guitarist/keyboardist Robert Fripp. Since 2012, the more than five-decade history of King Crimson, live and in the ...
Bergamo Jazz Festival 2022 Parte seconda: la Città Bassa
by Libero Farnè
Bergamo Varie sedi 17-20.3.2022 Il ricco palinsesto di Bergamo Jazz 2022 ha distribuito proposte non meno interessanti e variate negli spazi della Città Bassa. I due concerti all'Auditorium di Piazza della Libertà hanno racchiuso i progetti di due formazioni europee, entrambi attuali e rilevanti. Sarebbe semplicistico sostenere che la musica del chitarrista ...
Mac Gollehon: The End is the Beginning
by John Pietaro
From the opening moments of “As Your World Burns," Mac Gollehon's music embraces not simply the underground, but the underside. This collection of fleeting, gripping brass and dense atmosphere amounts to the lost score for the '70s-'80s noir film we've longed for, as nasty in its perfection as was the Manhattan of those years. Gollehon's trumpet ...
