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Norwegian Road Trip, Part 3: Oslo, July 12-14, 2010
by John Kelman
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 [Editors Note: From July 6 to July 26, 2010, All About Jazz Managing Editor John Kelman will travel throughout Norway to cover both the Kongsberg Jazz Festival (also participating in Silver City Sounds) and Molde ...
Contact: Dave Liebman / John Abercrombie / Marc Copland / Drew Gress / Billy Hart: Five on One
by Troy Collins
Five on One features five of the most renowned artists in modern jazz working together as a cooperative ensemble under the name Contact. Saxophonist Dave Liebman, guitarist John Abercrombie, pianist Marc Copland, bassist Drew Gress and drummer Billy Hart transcend the aesthetic limitations of many similar all-star gatherings with their complementary sensibilities, garnered over the years ...
Ottawa Jazz Festival 2010: Days 1-3, June 24-26, 2010
by John Kelman
Days 1-3 | Days 4-6 | Days 7-9 | Days 10-11 Mikko Innanen & InnkvisitioEtienne Charles and Folklore / Bill Frisell's Beautiful DreamersBill Frisell 858 Quartet TD Ottawa International Jazz Festival Ottawa, Ontario, Canada June 24-26, 2010 Back in April 2010, when the TD Ottawa International ...
Contact: Dave Liebman / John Abercrombie / Marc Copland / Drew Gress / Billy Hart: Five On One
by Dan Bilawsky
The practice of forming super groups in jazz can be fraught with disaster. Festival promoters often try to draw audiences by lumping musicians together in all-star settings, but a lack of chemistry, familiarity, common ground or interest, often turns these events into yawn-inducing bores. All four of these boundaries, thankfully, don't come into play with Contact--the ...
We Want Miles: A Series of Reinventions
by Greg Masters
We Want Miles: Miles Davis vs. Jazz Montreal Museum of Fine Arts Montreal Through August 29, 2010 Treasures await fans of Miles Davis up in Montreal, Canada: Photos, letters, film clips, paintings, instruments, wardrobe and enough information on wall placards to bring visitors on the full journey through ...
Wolfgang Muthspiel / Mick Goodrick: Live At The Jazz Standard
by John Kelman
Guitar duos can be a dangerous thing. With 12 strings and four hands, there's the potential for serious train wrecks; but if the two players are really listening, there's also potential for inspired greatness. Ralph Towner and John Abercrombie's two albums for ECM—Sargasso Sea (1976) and Five Years Later (1982)—exemplify how two can, indeed, conjoin for ...
Stephan Crump: Reclamation
by Kurt Gottschalk
The 2006 debut of Stephan Crump's Rosetta (Papillon Sounds) was unusual in a number of ways, not least that it didn't seem to be trying to be unusual. The trio of upright bass, acoustic guitar and electric guitar played tightly woven, structured music, even without a drummer, and managed to find new ground in the shrinking ...
Norwegian Jazz 101b: JazzNorway in a Nutshell 2010
by John Kelman
2008 | 2009 | 2010 | 2011 Norway may be a country that, more than most, aims to expose people from around the world to its culture through annual events like JazzNorway in a Nutshell, but as rich an experience as attending that junket is, returning to it on a regular basis is an ...
Travelling the “Rhythm Road”: Jazz Ambassadorship in the Twenty-First Century
by Victor L. Schermer
When asked to define jazz, Count Basie, said, “Tap your feet!" Rhythm brings people together, and is part of what makes jazz America's musical bridge to the world. “Jazz ambassadorship," a concept which came on the scene over half a century ago, continues into the New Milennium. One current basis for its longevity is that every ...
Contact: Dave Liebman / John Abercrombie / Marc Copland / Drew Gress / Billy Hart: Five on One
by Dan McClenaghan
The band called Contact is about as all-star an affair as can be found in modern jazz, and it's hard to imagine any serious listener not having a favorite among the players, whether it's saxophonist and renaissance man Dave Liebman, pianist Marc Copland--whose marvelous New York Trio Recordings pushed his profile up closer to where it ...
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