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2

Article: Extended Analysis

Chuck Owen and the Jazz Surge: River Runs

Read "Chuck Owen and the Jazz Surge: River Runs" reviewed by Jack Bowers

by Jack Bowers

On this powerful and ambitious “concerto for jazz guitar, saxophone and orchestra," composer Chuck Owen's Jazz Surge is bolstered by a thirty-four member reed, brass and string section that helps guide the listener on a picturesque journey along a number of rivers of various shapes, sizes and currents whose aim is to rekindle through musical portraiture ...

6

Article: Extended Analysis

Chris Kelsey & What I Say: The Electric Miles Project

Read "Chris Kelsey & What I Say: The Electric Miles Project" reviewed by Jeff Dayton-Johnson

by Jeff Dayton-Johnson

Trumpeter Miles Davis' post-Bitches Brew (Columbia, 1970), pre-hiatus (1975-1981) electric music--dense, loud, dark, funky, vast--has posed problems for musicians. The Yo Miles! collective, led by trumpeter Wadada Leo Smith and guitarist Henry Kaiser, gamely approached it as a repertoire: these are songs, they seemed to say; let's just play them (and so they did, on albums ...

14

Article: Catching Up With

Leo Blanco: Haiku for Bells

Read "Leo Blanco: Haiku for Bells" reviewed by Bruce Lindsay

by Bruce Lindsay

Leo Blanco is a musician who's immersed in the music of his South American homeland of Venezuela. The pianist may live in the USA--he teaches piano at Berklee--but his Venezuelan upbringing remains central to his work. It's a little surprising, then, to discover that Blanco isn't solely a product of Latin American culture. In conversation backstage ...

3

Article: Album Review

Eric Erhardt: A Better Fate

Read "A Better Fate" reviewed by Dave Wayne

by Dave Wayne

Unlike a lot of jazz artists hawking a debut recording these days, reed/woodwind multi-instrumentalist Eric Erhardt is not fresh out of music school. He has been around for a while, playing for two decades in Broadway pit bands and with trad jazzers Ken Peplowski and Artie Shaw. A student of Dave Liebman, Erhardt's own musical interests ...

5

Article: We Travel the Spaceways

Taking stock, a year half over

Read "Taking stock, a year half over" reviewed by Mark Corroto

by Mark Corroto

This month, at the halfway point in the year of music, we are taking stock, and there have been so many great discs released. Here is my list (in no particular order) of the best albums so far. I predict many of these will make final top ten 2013 lists. Sorry, I couldn't keep my list ...

5

Article: Extended Analysis

UNI Jazz Band: The Hard Way

Read "UNI Jazz Band: The Hard Way" reviewed by Jack Bowers

by Jack Bowers

UNI stands for the University of Northern Iowa whose tradition of producing first-rate big-band recordings spans more than two decades, first under director Bob Washut and more recently under his successor, Chris Merz (The Hard Way is the twentieth album by the university's Jazz Band One in my library). This is a “semi-live" date on which ...

12

Article: Live Review

2013 Montreal Jazz Festival: June 28-July 2, 2013

Read "2013 Montreal Jazz Festival: June 28-July 2, 2013" reviewed by John Kelman

by John Kelman

Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2013After taking a year off to curate an All About Jazz Presents: Doing It Norway at Norway's 2012 Kongsberg Jazz Festival, it was great to return to the city that hosts what must surely be the largest jazz festival in the world. Where else ...

News: Recording

Joe Lovano, Ravi Coltrane, Dave Liebman Fan-funded Artistshare Recording

We are very pleased to introduce the Saxophone Summit: Visitation CD Project. This unique fan-funded ArtistShare project brings together some of the most monumental figures in jazz: saxophone titans Dave Liebman, Joe Lovano, and Ravi Coltrane will join forces with an equally dynamic rhythm section featuring pianist Phil Markowitz, bassist Cecil McBee, and drummer Billy Hart ...

15

Article: Interview

Jim Snidero: A Tale Of Taste

Read "Jim Snidero: A Tale Of Taste" reviewed by Dan Bilawsky

by Dan Bilawsky

What's the hallmark of quality jazz? If this question was posed to a group of jazz musicians, each person would no doubt give a different answer that would speak to differences in taste. Some would lean on tradition and others might push the idea of innovation, but few, if any, would actually use taste itself as ...

5

Article: Take Five With...

Take Five With Barb Januszkiewicz

Read "Take Five With Barb Januszkiewicz" reviewed by AAJ Staff

by AAJ Staff

Meet Barb Januszkiewicz: I am a painter who uses music in my work. I love jazz because it adds color to everything. I was first exposed to jazz by dad. I met Dave Liebman, and that everything changed for me because he showed me how we could mix jazz and art together—real fusion. He ...


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