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215

Article: Album Review

David Binney: Barefooted Town

Read "Barefooted Town" reviewed by Dan Bilawsky


Saxophonist David Binney broke new ground with Graylen Epicenter (Mythology, 2011), which was a world unto itself, and shortly before that, he delivered Aliso (Criss Cross, 2010)--a jagged set of music featuring original works and some compositions from visionaries like Sam Rivers, Wayne Shorter and John Coltrane. With Barefooted Town, Binney returns for another outing on ...

182

Article: Album Review

David Binney: Barefooted Town

Read "Barefooted Town" reviewed by Dan McClenaghan


Alto saxophonist/composer David Binney must not worry about “market saturation." He releases albums, as a leader for both Criss Cross and his own Mythology label, at a rate that many top jazz artists did during the late 1950's and early 1960's. Less than six months into 2011, he has already offered up Graylen Epicenter (Mythology) and ...

209

Article: Live Review

Undead Jazz Festival: Day 1, June 23, 2011

Read "Undead Jazz Festival: Day 1, June 23, 2011" reviewed by Daniel Lehner


Day 1 | Day 2 | Day 3 | Day 4 Undead Jazz FestivalNew York, New YorkJune 23-26, 2011 If 2010's Undead Jazz Festival were the first installment in a series of zombie films, then the first day of the 2011 season was a sequel picking up where ...

275

Article: Interview

Gretchen Parlato: Quiet Revolutionary

Read "Gretchen Parlato: Quiet Revolutionary" reviewed by Ian Patterson


It's safe to say that singer Gretchen Parlato has her admirers. The Boston Globe praised her as “the most original jazz singer in a generation," and pianist Herbie Hancock has described her connection to music as “almost magical." Saxophonist Wayne Shorter has likened her art to that of Frank Sinatra. It's hard to remember the last ...

135

Article: Album Review

David Binney: Barefooted Town

Read "Barefooted Town" reviewed by John Kelman


Politics isn't the only thing that increasingly demands clear vision and steadfast commitment (even if it isn't getting it). In the jazz world--where the changing landscape makes getting heard one challenge, acceptance by a broader culture that views “jazz" as a dirty word another--it takes artists with unshakable resolve to stay the course. David Binney has ...

404

Article: Interview

David Binney: Underground Tremors

Read "David Binney: Underground Tremors" reviewed by Ian Patterson


There are recordings that constitute a personal high watermark for a composer; then there are, less frequently, recordings that mark an era. Graylen Epicenter (2011), alto saxophonist David Binney's latest recording on his own label, Mythology Records, is both. For more than two decades, this exhilarating alto saxophonist has made a string of absorbing recordings as ...

145

Article: Album Review

David Binney: Graylen Epicenter

Read "Graylen Epicenter" reviewed by Ian Patterson


Undoubtedly one of the great alto saxophonists, David Binney's reputation as an original, exciting composer has also grown steadily since his debut recording, Point Game (Owl Records, 1989). Binney is so prolific a musician that it's sometimes hard to stay abreast of his current projects. However, there is little chance of Graylen Epicenter going unnoticed. With ...

286

Article: Interview

Jen Shyu and Theo Bleckmann: Breaking the Song Barrier

Read "Jen Shyu and Theo Bleckmann: Breaking the Song Barrier" reviewed by Daniel Lehner


Before Robert Moog came out with the first synthesizer, before Adolphe Sax invented his famous reed instrument, before the trumpets sounded at Jericho, even before the world's ancient tribes tightened their animal skins to make drums, humanity's first instrument was the voice. Not that this is of particular consequence to Theo Bleckmann. “To me, that argument ...

228

Article: Live Review

Michael Dessen Trio : Irvine CA, May 7, 2011

Read "Michael Dessen Trio : Irvine CA, May 7, 2011" reviewed by Robert Bush


Michael Dessen TrioUC Irvine, Winifred Smith HallIrvine, CaliforniaMay 7, 2011 Michael Dessen is, according to a frequent employer, the contrabass virtuoso Mark Dresser, “a black-belt trombonist." He is, in fact such a consummate sideman in so many contexts that the opportunity to hear him as a leader is a rare ...

161

Article: Album Review

Ohad Talmor: Newsreel

Read "Newsreel" reviewed by Jerry D'Souza


Tenor saxophonist Ohad Talmor was born in Israel, grew up in Switzerland, and now lives in America. Talmor started out on piano before switching to the saxophone while in the US. Over the years, he has assembled an impressive list of band associations. In Switzerland he co-founded Zounds Collective with trumpeter Carlos Baumann to experiment with ...


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