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Jim Clayton: Songs My Daughter Knows
by Dan Bilawsky
Pianist Jim Clayton must have one hip daughter; or perhaps it's the other way around. Regardless, both parties clearly inspire one another through music. On the simply-and-directly titled Songs My Daughter Knows, Clayton explores the musical ins-and-outs of the first three years spent with his cherished child--Eileen Agnes “Lenny" Clayton. The album opens ...
Mike Longo and the New York State of the Art Jazz Ensemble: Live From New York!
by Dan Bilawsky
When trumpet titan Dizzy Gillespie left this earth he left no shortage of disciples behind. His now-legendary peers (i.e. saxophonists Jimmy Heath and Benny Golson), a cadre of killer Cubans (Arturo Sandoval, multi-reedist Paquito D'Rivera, pianist Gonzalo Rubalcaba, etc.) and a pride of young lions all worked with him, learned from him, and sang his praises, ...
Desmond White: Short Stories
by Dan Bilawsky
Size and substance are not reflective of one another. Some people mistakenly assume that grand-scale productions automatically deserve grand-scale receptions and small- scale artistry deserves to exist on the fringe. That makes about as much sense as holding a belief that novels, by their very nature, are of greater importance than short stories, but some people ...
Kenny Barron/Gerry Gibbs/Ron Carter: Gerry Gibbs Thrasher Dream Trio
by Dan Bilawsky
When drummer Gerry “The Thrasher" Gibbs was a youngster, growing up in California in the '70s, he idolized bassist Ron Carter and pianist Kenny Barron. Of course, neither man played his instrument of choice, but he recognized the greatness that emanated from both players and he viewed them as exemplars of what's right and good in ...
Rob Derke & The NYJAZZ Quartet: Blue Divide
by Dan Bilawsky
Saxophonist Rob Derke--the man behind the jazz-promoting nonprofit known as the NYJAZZ Initiative--significantly widened his reach with Mad About Thad (Jazzheads, 2011). That album, a finely sculpted tribute to the great trumpeter-composer Thad Jones, helped to shine a light on Derke's organization and brought more deserved attention to the music of a dearly departed legend. Now, ...
Marty Ehrlich: A Trumpet In The Morning
by Dan Bilawsky
A Trumpet In The Morning is a first for multi-reedist Marty Ehrlich; it's the first album completely dedicated to his large group works and the first album under his name that's basically directed by his hand rather than his horn(s). The intrepid Ehrlich, who fell under the sway of St. Louis' Black Artists Group (BAG) in ...
T.K. Blue: A Warm Embrace
by Dan Bilawsky
What do you do after you've already toured the world with jazz legends, helmed a successful college jazz program and recorded everything from bluesy fare to world-meets-jazz music to Latin-ized takes on Charlie Parker? If you're saxophonist T.K. Blue, you turn to the soft(er) and the subtle, delivering an album that's texturally rich yet wholly transparent. ...
Gordon Grdina/Mark Helias: No Difference
by Dan Bilawsky
No Difference takes place at the crossroads of the known and unknown, expected and surprising, and fenced in and free. More importantly, it's an album built upon the bonds of shared experience. Each of the four musicians involved with this project can be paired off with at least one other in their respective backstories. Grdina and ...
Volcan: Volcan
by Dan Bilawsky
Whenever a musician strikes out on their own by forming their own label they're addressing the issue of control and consolidation. Pianist Gonzalo Rubalcaba went one better when he created 5passion. He consolidated, took control, and diversified his offerings. First came Fe (5passion, 2011)--a sanctified solo piano date that All About Jazz's Dan McClenaghan rightly called ...
Dan Bilawsky's Best Releases Of 2013
by Dan Bilawsky
The annual rite of writing a “best of" list at All About Jazz is a most pleasurable and difficult task; pleasurable for the reflections on great art that come along with the task and difficult because of the need to make hard choices. I've been inspired by dozens of new jazz recordings this year, but I've ...
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