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Chantale Gagné: The Left Side Of The Moon
by Dan Bilawsky
Pianist Chantale Gagné isn't afraid to wear her heart on her sleeve. With each release she's become more demonstrative in the manner in which she presents her music. Silent Strength (Self Produced, 2008) was her first step, and the first look at how she functioned with the high-end rhythm section of drummer Lewis Nash and bassist ...
Meeco: Souvenirs Of Love
by Dan Bilawsky
Meeco doesn't skimp on star power when he puts a record together. The personnel listings from his previous projects--Amargo Mel (Connector Records, 2009), Perfume E Caricias (Connector Records, 2010), and Beauty Of The Night (Connector Records, 2012)--read like the invite list for the NEA Jazz Masters Awards Ceremony: Jazz elders--bassists Ron Carter and Buster Williams, flautist ...
Lisa Parrott: Round Tripper
by Dan Bilawsky
More than ten thousand miles separate New York and Australia, but saxophonist Lisa Parrott's music bridges that gap. On Round Tripper, the Australian-born, New York-based Parrott makes music that speaks to her connections to both locales and the bonds that she's made in both places over the years. Round Tripper finds Parrot working ...
DUCHESS: DUCHESS
by Dan Bilawsky
There's a new vocal super group in town, and it proves that bonhomie hasn't been banished from jazz. DUCHESS--the sublime combination of Amy Cervini, Hilary Gardner, and Melissa Stylianou--is a serious musical force, but it makes some seriously friendly music. Cervini, Gardner, and Stylianou each delivered superb releases on the Anzic imprint in ...
Carol Saboya/Antonio Adolfo/Hendrik Meurkens: Copa Village
by Dan Bilawsky
Back in 1969, pianist Antonio Adolfo was working with vocalist Elis Regina. While touring through Sweden, Regina and her band had the opportunity to connect with Toots Thielemans, leading to the recording of Elis & Toots (Philips, 1969). Now, more than forty-five years later, Adolfo finds himself in a similar situation, working alongside another sunny Brazilian ...
Rudresh Mahanthappa: Bird Calls
by Dan Bilawsky
Charlie Parker has been deified, his methods have been codified, and his recordings have been analyzed ad infinitum. Six decades have passed since he left this realm, yet he remains the lodestar for a significant portion of the jazz community, from the aspiring to the elite, and his influence hasn't waned one bit. Given all of ...
Tomoko Omura: Roots
by Dan Bilawsky
Japanese violinist Tomoko Omura may be ten years into a stay in the United States, but Roots clearly demonstrates that she hasn't forgotten or forsaken her homeland. Omura left Japan and relocated to the United States in 2004, eager and ready to study at Boston's Berklee College of Music. Shortly after graduating in ...
Peter Apfelbaum's Sparkler: I Colored It In For You
by Dan Bilawsky
I Colored It In For You is such a tease. Broad-minded multi-instrumentalist Peter Apfelbaum uses this brief EP--the two-part title track and a remix from M.O.D. co-founder Bill Laswell are it--to introduces a sui generis small group known as Sparkler. Apfelbaum, covering vocals, keys, saxophones, and percussion, teams up with rising star trombonist/vocalist ...
Phil Markowitz/Zach Brock: Perpetuity
by Dan Bilawsky
The debut collaboration between veteran pianist Phil Markowitz and rising star violinist Zach Brock focuses on a shared love of questioning and questing through sound(s). Each man brings five originals to the table for this project, and most of them serve to highlight their common interest(s) in angular exploration, dovetailing designs, and scenarios that encourage searching. ...
Walking Distance: Neighborhood
by Dan Bilawsky
If any group can turn the concept of ebb and flow into a fully realized art form, it's Walking Distance. This New York-based foursome thrives on architectural schemes connected to the expansion and contraction of musical materials, presenting sounds that can appear disjointed, yet demonstrating congruence in their expression(s) all the while. Different players push and ...
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