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Kenny Werner: The Space
by Dan Bilawsky
Need can be the greatest enemy of the improvising artist, as the hunger to prove oneself, the self-inflicted imperative demanding the addressing of a naked canvas, and a deep-seated desire to create all tend to have a stunting effect, engendering the exact opposite result of what it means to truly live in the moment. Only with ...
Jay Lawrence: Sonic Paragon
by Dan Bilawsky
Sonic Paragon is a satisfying set grounded in the idea of broad appeal. Drummer Jay Lawrence is no purist, and he's certainly not stubbornly set on a single course, yet he's wholly cognizant of the fact that music is both for the makers and the takers. And with an understanding of that need for balance and ...
Charlie Rhyner: The First Second
by Dan Bilawsky
An artist's intentions are often cemented within the first second of a journey, but a vision can only be developed and measured in the music's passing time. For Westchester-based guitarist Charlie Rhyner, those initial aims often present with a penetrative purpose and a strong understanding of the leverage that a groove, be it solid or morphing, ...
Joe Locke: Subtle Disguise
by Dan Bilawsky
Have we been dealing with two different Joe Lockes for all these years? To some, the vibraphonist presents as a technically adept and intellectually curious seeker, constantly pushing through to new levels of possibility and commitment with his music. But for others, Locke is a conduit to understanding the human condition. This is a dichotomy that ...
Sasha Mashin: Outsidethebox
by Dan Bilawsky
Drummer Sasha Mashin makes clear that he's the real deal within the first fifty seconds of this date. Opening Sipiagin's Mood," the lead-off track on his debut release, with a solo drum introduction, Mashin immediately stakes his claim. Chops, of course, don't always equate to true artistry or position, but in this case technique and taste ...
Samuel Martinelli: Crossing Paths
by Dan Bilawsky
Crossing Paths, the debut from New York-based Brazilian drummer Samuel Martinelli, is a quartet date rich in rhythmic verve. Martinelli provides strong originals, puts his own stamp on a classic or two, adds hearty support, and delivers with grace while his seasoned colleagues--trumpeter Claudio Roditi, bassist Marcus McLaurine, and pianist Tomoko Ohno--magnify his intentions and find ...
Kind Folk: Why Not
by Dan Bilawsky
Back in 2014, trumpeter John Raymond, alto saxophonist Alex LoRe, bassist Noam Wiesenberg, and drummer Colin Stranahan gathered in a tiny apartment in Brooklyn to test out their chemistry and let the music flow. Four years later, after some more sporadic get-togethers and a bump or two in the road, we have their debut.
Caleb Wheeler Curtis: Brothers
by Dan Bilawsky
Brotherhood comes in multiple forms--genetic, fraternal, and professional, to mention the most applicable--but all are bound by a sense of fellow feeling and shared experience(s). That truth rests at the heart of this, saxophonist Caleb Wheeler Curtis' debut album. The obvious nods to brotherhood here come in the form of this album's title, ...
Kaveh Rastegar: Light Of Love
by Dan Bilawsky
Kaveh Rastegar's name might not register with many people, but a significant number of music fans from different camps have likely heard his low-end thrumming on bass and experienced the power of his work. The anchoring element for artists as dissimilar as John Legend and Beck, the creative weight ballasting the music of the pioneering post-fusion ...
Marty Elkins: Fat Daddy
by Dan Bilawsky
The jazz world is full of singers who deserve a higher profile than they have, and Marty Elkins is most certainly one of them. This trad-jazz true believer and pliantly phrasing charmer has a way with words and an appreciation for the finer things in sound and song. Some might call her an aural antiquarian, but ...




