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6

Article: Album Review

Kenny Werner: The Space

Read "The Space" reviewed by Dan Bilawsky


Need can be the greatest enemy of the improvising artist, as the hunger to prove oneself, the self-inflicted imperative demanding the addressing of a naked canvas, and a deep-seated desire to create all tend to have a stunting effect, engendering the exact opposite result of what it means to truly live in the moment. Only with ...

3

Article: Album Review

Jay Lawrence: Sonic Paragon

Read "Sonic Paragon" reviewed by Dan Bilawsky


Sonic Paragon is a satisfying set grounded in the idea of broad appeal. Drummer Jay Lawrence is no purist, and he's certainly not stubbornly set on a single course, yet he's wholly cognizant of the fact that music is both for the makers and the takers. And with an understanding of that need for balance and ...

3

Article: Album Review

Charlie Rhyner: The First Second

Read "The First Second" reviewed by Dan Bilawsky


An artist's intentions are often cemented within the first second of a journey, but a vision can only be developed and measured in the music's passing time. For Westchester-based guitarist Charlie Rhyner, those initial aims often present with a penetrative purpose and a strong understanding of the leverage that a groove, be it solid or morphing, ...

7

Article: Album Review

Joe Locke: Subtle Disguise

Read "Subtle Disguise" reviewed by Dan Bilawsky


Have we been dealing with two different Joe Lockes for all these years? To some, the vibraphonist presents as a technically adept and intellectually curious seeker, constantly pushing through to new levels of possibility and commitment with his music. But for others, Locke is a conduit to understanding the human condition. This is a dichotomy that ...

7

Article: Album Review

Sasha Mashin: Outsidethebox

Read "Outsidethebox" reviewed by Dan Bilawsky


Drummer Sasha Mashin makes clear that he's the real deal within the first fifty seconds of this date. Opening “Sipiagin's Mood," the lead-off track on his debut release, with a solo drum introduction, Mashin immediately stakes his claim. Chops, of course, don't always equate to true artistry or position, but in this case technique and taste ...

3

Article: Album Review

Samuel Martinelli: Crossing Paths

Read "Crossing Paths" reviewed by Dan Bilawsky


Crossing Paths, the debut from New York-based Brazilian drummer Samuel Martinelli, is a quartet date rich in rhythmic verve. Martinelli provides strong originals, puts his own stamp on a classic or two, adds hearty support, and delivers with grace while his seasoned colleagues--trumpeter Claudio Roditi, bassist Marcus McLaurine, and pianist Tomoko Ohno--magnify his intentions and find ...

3

Article: Album Review

Kind Folk: Why Not

Read "Why Not" reviewed by Dan Bilawsky


Back in 2014, trumpeter John Raymond, alto saxophonist Alex LoRe, bassist Noam Wiesenberg, and drummer Colin Stranahan gathered in a tiny apartment in Brooklyn to test out their chemistry and let the music flow. Four years later, after some more sporadic get-togethers and a bump or two in the road, we have their debut.

4

Article: Album Review

Caleb Wheeler Curtis: Brothers

Read "Brothers" reviewed by Dan Bilawsky


Brotherhood comes in multiple forms--genetic, fraternal, and professional, to mention the most applicable--but all are bound by a sense of fellow feeling and shared experience(s). That truth rests at the heart of this, saxophonist Caleb Wheeler Curtis' debut album. The obvious nods to brotherhood here come in the form of this album's title, ...

6

Article: Album Review

Kaveh Rastegar: Light Of Love

Read "Light Of Love" reviewed by Dan Bilawsky


Kaveh Rastegar's name might not register with many people, but a significant number of music fans from different camps have likely heard his low-end thrumming on bass and experienced the power of his work. The anchoring element for artists as dissimilar as John Legend and Beck, the creative weight ballasting the music of the pioneering post-fusion ...

2

Article: Album Review

Marty Elkins: Fat Daddy

Read "Fat Daddy" reviewed by Dan Bilawsky


The jazz world is full of singers who deserve a higher profile than they have, and Marty Elkins is most certainly one of them. This trad-jazz true believer and pliantly phrasing charmer has a way with words and an appreciation for the finer things in sound and song. Some might call her an aural antiquarian, but ...


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