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John Escreet: Don't Fight The Inevitable
by Dan Bilawsky
Highbrow compositions and intuitive musicianship work hand-in-hand with stellar results on pianist John Escreet's Don't Fight The Inevitable. Escreet's band of like-minded modernists, including saxophonist David Binney and trumpeter Ambrose Akinmusire, had the opportunity to work through this music on the bandstand during a European tour, an experience that helped them to delve deeply into these ...
George Brooks: Spirit And Spice
by Dan Bilawsky
Fusing Indian classical music and jazz has met with mixed results over the years. For a long time, it seemed that a combination of these disparate styles could only result in overly aggressive fusion music; hints of India or standard jazz fare, with tabla drumming thrown into the mix. Over time, a more organic musical merge ...
Jacám Manricks: Trigonometry
by Dan Bilawsky
This album, like the branch of math where it gets its names, deals with angles and relationships from different sides. Saxophonist/composer Jacám Manricks enjoys creating some rhythmic friction--using different combinations of instruments and musicians within his group--while also treating each piece like a fresh canvas, ready to be turned into high art. His pleasing and pure-toned ...
The Diva Jazz Orchestra and Johnny Mandel at Dizzy's Club, NYC
by Dan Bilawsky
Diva Jazz Orchestra Dizzy's Club Coca Cola New York, New York May 26, 2010 While The Diva Jazz Orchestra often gets press that relates to their status as an all-female big band, gender is irrelevant when discussing their musical acumen. Drummer Sherrie Maricle and company have proven themselves time and ...
Ethan Mann: It's All About A Groove
by Dan Bilawsky
While plenty of jazz fans are schooled musicians, an even greater number doesn't have significant training--or any training, for that matter--in music. These people might not know chord progressions or specific rhythmic patterns, but they do know if music feels good. When songs are stripped to their bare essence, the groove is often what creates the ...
Jazz Goes Green: Musical Explorations On A Secondary Color Of Note
by Dan Bilawsky
With spring taking hold and summer on the way, it's hard to avoid encounters with the color green. The drab gray and white of winter is now no more and a vibrant green color scheme has taken over. A drive along the Long Island Expressway--which leads to Manhattan and some of the greatest jazz clubs in ...
Laurie Antonioli: American Dreams
by Dan Bilawsky
Calling American Dreams a jazz album is too narrowing a description. This record is actually an odyssey through the American musical landscape. After recording Foreign Affair (Nabel, 2004), with a multi-cultural cast of musicians while living abroad, vocalist Laurie Antonioli's mind drifted back toward thoughts of home. In exploring her vision of America, Antonioli touches on ...
Steve Davis: Images
by Dan Bilawsky
Images is trombonist Steve Davis' love letter to his hometown of West Hartford, CT. The ten pieces he wrote for the album, and which make up his “Hartford Suite," are all dedicated to people or places associated with this geographic region. While Davis' penchant for crisp swing and clear, lyrical lines plays a big part here, ...
Randy Klein: Sunday Morning
by Dan Bilawsky
Certain things, whether intentional or not, are suggested with an album title like Sunday Morning. A placid, gentle aura to the dawn of this day of rest is often ascribed. While jazz created with this image in mind could mean bland music for coffee sipping, pianist Randy Klein shows that it doesn't have to be that ...
Misha Piatigorsky: Paris Troika
by Dan Bilawsky
Popular music and jazz have always been connected but, over the years, a bit of a divide has developed. A large portion of songs lumped under the Great American Songbook heading were the popular music of their day. As folk and rock began to eclipse jazz in the public eye, some people refused to get on ...
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