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J.D. Allen: Victory!
by Dan Bilawsky
Many artists seem to move rapidly through different ensemble configurations, as if they're trying to finish off a career to-do list. While it's true that artistic reinvention using various instrumental formats--whether it be an organ group, big band project or Jazz Messengers-style outing--can help an artist gain notice in the trade magazines, using these formats as ...
Omar Sosa Afri-lectric Quintet: New York, May 5, 2011
by Dan Bilawsky
Omar Sosa Afri-lectric QuintetBlue NoteNew York, NYMay 5, 2011 Cuban-born/Barcelona-based Omar Sosa doesn't simply perform for an audience when he brings his music to a club. He conjures musical spirits and creates a magical realm, unlike any other. The pianist fuses the most ancient and modern ideals imaginable into a ...
Don Sebesky: Giant Box
by Dan Bilawsky
It's a bit bizarre to find an album called Giant Box in a small cardboard case, or as a download lacking physical form, but times change. When Don Sebesky's grand musical statement on CTI hit the marketplace in 1973, it came in a classical-type record box, befitting the stature of the music. Opinions ...
Sean Smith Quartet: Trust
by Dan Bilawsky
Trust is a key element in any successful relationship. Spouses have to trust one another in their day-to-day lives and children have to trust that their parents will be there for them, no matter what happens. Trust between close friends is often a given and, while we don't always think about it, trust between band mates ...
George Benson: Beyond The Blue Horizon
by Dan Bilawsky
George Benson has worn many hats throughout his career, from jazz-pop vocal star to soulful six-stringer, but his guitar god persona is probably exhibited best by Beyond The Blue Horizon (CTI, 1971). This album arrived five full years before Benson's popularity would explode with Breezin' (Warner Bros., 1976), and it presents this powerful instrumental presence in ...
Stanley Turrentine: Salt Song
by Dan Bilawsky
Stanley Turrentine's Sugar (CTI, 1970) has always stood out as the defining album in the tenor saxophonist's post-Blue Note discography, but that recording only marked the beginning of his beautiful relationship with Creed Taylor's CTI imprint. Turrentine's time with the label spanned the first half of the '70s and produced a few other winning albums that ...
Freddie Hubbard: First Light
by Dan Bilawsky
It's fitting that the third wave of Sony Masterworks' CTI reissue campaign includes Freddie Hubbard's First Light, which was the third and final album in Hubbard's holy trinity on CTI. While the trumpet titan continued to record for Creed Taylor's imprint after this session, the work that followed First Light never fully measured up to his ...
Two Helpings of Hurst: Bob Ya Head and Unrehurst Volume 2
by Dan Bilawsky
Robert Hurst has been an in-demand bassist for more than a quarter century, yet his leader dates have been sporadic and scant. Hurst came to prominence in the mid 1980s, first as a member of Out Of The Blue and then as a key figure in bands lead by trumpeter Wynton Marsalis and saxophonist Branford Marsalis, ...
Dave Juarez: Round Red Light
by Dan Bilawsky
The quintet that came together to record Round Red Light is a unique conglomeration of established talent, rising-star scene-stealers, and artists who are only starting their ascent and journey upward in the world of jazz. While guitarist Dave Juarez falls into the last category, his debut album should go a long way in creating a buzz ...
Mark Rapp's Melting Pot: Good Eats
by Dan Bilawsky
Legendary saxophonist Lou Donaldson doesn't subscribe to a one-size-fits-all approach in his own music making. His oeuvre, which spans more than half a century, touches on bop, hard bop, soul-jazz, and funk, with each setting allowing for a different aspect of his musical personality to shine. In crafting a tribute to Donaldson, trumpeter Mark Rapp honors ...
