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Results for "Dan Bilawsky"
Alon Nechushtan: Dark Forces
by Dan Bilawsky
The idea of placing a variety of daring instrumental personalities within different electronic-based sound collage nightmares is bold but, ultimately, hard to classify or grab onto. Dark Forces can't truly be called electronic music since the whole point of the music surrounds the integration of electronic and human elements, and it's hard to view it as ...
Joan Stiles: Three Musicians
by Dan Bilawsky
On the surface, Three Musicians is a smart collection of performances from a witty threesome, but closer observation reveals deep Cubist intent. In referencing one of Pablo Picasso's masterpieces, pianist Joan Stiles touches on a style of art that rarely finds an overt entrance into jazz, creating a layered, collage ideology within the very fabric of ...
Gonzalo Del Val Trio: Three Generations
by Dan Bilawsky
Spanish jazz musicians need not produce music that overwhelms with Iberian-influenced sounds or seduces with the so-called “Spanish Tinge" at every turn, and drummer Gonzalo Del Val's trio is proof. While Del Val's music isn't completely devoid of elements endemic to his musical DNA ("Malena"), the drummer's broad outlook goes well beyond any one place or ...
Mark Weinstein: El Cumbanchero
by Dan Bilawsky
Exploring music with the intellect of an ethnomusicologist, the imagination of an artist, and the technical savvy and musical know-how to combine the two is no easy feat, but Mark Weinstein is more than capable of pulling it off. For the flautist's latest Latin feast, he turned his attention toward a fusion of jazz and charanga ...
Hank Crawford: Don't You Worry 'Bout A Thing
by Dan Bilawsky
Saxophonist Hank Crawford will forever be linked to his one-time employer, the great Ray Charles, in the minds of R&B lovers, but soul-fusion fans are likely to remember him for a string of albums he recorded on the Kudu label in the 1970s. Crawford and tenor saxophonist Stanley Turrentine proved to be the two pillars of ...
Yotam: Brasil
by Larry Taylor
Two reviews of Israeli-born guitarist Yotam's Brasil appeared recently in All About Jazz, and the reviewers had major differences. Lawrence Peryer had a negative view, summed up by: “Yotam take his place on the list between Yanni and Zamfir, offering a denatured version of a musical form that has already proven itself accessible ...
Mike Melito: The Right Time
by Dan Bilawsky
When the word “predictable" shows up in music reviews, it's often wrongly viewed as the kiss of death. Somewhere along the way, “defying expectations" or “charting new territory" have become the quickest way to gain recognition, but the tried-and-true shouldn't be sold short. On The Right Time, veteran drummer Mike Melito and his band deliver a ...
Trio Shalva: Riding Alone
by Dan Bilawsky
All three members of this group originally hail from Israel, but Trio Shalva actually took shape a world away, at the global epicenter of the jazz universe. Pianist Assaf Gleizner, guitarist/bassist Koby Hayon and drummer Nadav Snir Zelniker were each pursuing their own musical paths in New York when they connected for a gig in 2009, ...
Samo Salamon Bassless Trios: Duality
by Dan Bilawsky
By splitting the program between two different bass-less trios connected to opposite sides of the Atlantic, Slovenian guitarist Samo Salamon has managed to bridge the continental divide on Duality. This project could turn into a compare-and-contrast session on the music made by the two groups, alternately dubbed the “US Trio" and “European Trio," and that line ...
Kevin Hays: Variations
by Dan Bilawsky
When famed jazz scholar Gunther Schuller first coined the term “Thematic Improvisation," he wasn't introducing a new concept so much as shedding light on how jazz artists had come to use the age-old “Theme And Variations" format in their own sweet way. While nobody would argue that grand compositional gestures or outré improvisations from a master ...
